
Beginning with the first impression – the juxtaposition of the book’s title, “Black Arms to Hold You Up” and its accompanying cover illustration of large, looming black arm(ament)s against a background of skeletons, between which the human actors are running in fear – it is clear right from the start that we are being presented with a multivalent and irony-rich agitprop work. It will be equally clear by the end that it is also a work capable of constructing new meaning through a masterful synthesis of image and text.
The phrase “to hold you up” in the title can have (at least) three possible meanings: 1) to physically hold you up, as in to...


From the Archives: ONE new copy of the original hardcover edition (2nd print; September 2011) of the first volume of the superb – and definitive – archival study of the life and work of Alex Toth.
Here's the original Publisher write-up:
Compiled with complete access to the family archives and with the full cooperation of Toth's children, this lavishly illustrated biography features many rare comics pages, photographs, and drawings and reproduces twenty complete stories, including a previously unknown and unfinished story from the 1950's, most printed from the original artwork. Includes bibliographical references. Presents a biography of...

Craig Thompson's long awaited follow up to Blankets – one of the most widely and loudly lauded graphic novels in history – is now weighing heavily on the shelves here at Copacetic. A sprawling, multi-layered, multi-faceted, multi-pronged work, Habibi is part history lesson, part tutorial, part travelogue, part anthro/socio/psychological study, part sermon, and all love story. Thompson clearly had outsized ambitions for this work, likely necessitated by the high expectations surrounding any follow up to Blankets. It's always an additional challenge for creators to follow up a highly praised work. Should they try to compete with their big...

Yes, Cold Heat #4 is still in stock, and it's a doozy. Disparate and heretofore disconnected aspects of the storyline are joined together as some puzzling pieces of the plot are put into place. We don't want to give too much away here, but suffice it to say that some things have turned out -- surprise! -- not to be what they seemed. Lovers of cosmic mysteries and mighty metaphors will find plenty of food for thought this time around, and thrill seekers should find what they're looking for as the intensity is ramped up a notch or two. Santoro's art really shines this issue as he continues to bring a world beat of styles and perspectives to...

Though he is better known now as the creator of a series of Victorian murder mysteries, back in the day Rick Geary was (more or less) the Richard Brautigan of comics. He pioneered the genre of short, off-kilter stories that, by virtue of their peculiar slant on the events they portray, continue to provide readers with fresh perspectives on the mundane. The stories contained in Housebound are, on average, over twenty years old, but they are as unique now as they were when he first laid Rapidiograph pen to paper. Quirky, entertaining and fun, this book is a one of a kind* treasure that is now out of print... but we still have a few left!...

Inspired by Raymond Queneau's 1947 opus, Exercises in Style, reigning comics formalist, Matt Madden undertook to transliterate this deconstructive approach to the practice of storytelling into the language of comics. Six years in the making, 99 Ways has accomplished exactly that. Taking the most mundane of events so as not distract from the formal elements, each of the 99 ways meticulously illustrated in this volume tell the story of Matt's journey from his drawing table to the refrigerator. Absurd? Yes, but that's the idea. It's all about how, not about what. It may sound like a crazy idea, but we're pretty sure that this volume will be...

Approximate Hellhound, the arrival of which has been highly anticipated by the Copacetic Comics Co., is now standing tall on our trusty CD rack. Listening to this disc for the first time is an experience akin to that of suddenly realizing that the movie you inadvertently ended up watching at three in the morning has you riveted, and you find yourself thinking that it is the most amazing thing you've ever seen. The ten tracks on this discflow like a conversation, each one picking up where the other left off, generating a persuasive musical argument that drives its train of thought to the end of the line. Our favorites include: "Take What...

back in print, at last! Originally published in 1994, City of Glass was ahead of the comics history curve in many respects, with its "serious" literary concerns and dazzling formal inventiveness. It was the most requested out-of-print volume in the history of the Copacetic Comics Company before being brought back in print in this 2004 edition. This edition remains faithful to the original, but has been updated with a new cover as well as a new introduction by Art Spiegelman (see above) that lays out the genesis of this particular work, helping to place it in the proper historical context. Recommended!

This is the fifth volume in the series of young adult graphic biographies published by Hyperion under the ægis of The Center for Cartoon Studies, which reaches an important milestone here in that this volume is the first to be created by a graduate of their program, and as such provides proof postive that CCS is fulfilling its mission. Annie Sullivan and the Trials of Helen Keller is the most substantial work yet in this series and represents its strongest artistic achievement. More than that, it is an inspired work that demonstrates the power of comics to communicate.
It runs for 86 full color pages, each of which works from a 16-panel...
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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