It's here! The complete Grip, by the one and only Lale Westvind. So, all of you who missed the gone-in-a-blink-of-eye risograph editions can now celebrate with this beautifully (offset) printed edition, which successfully captures the vibrant color scheme, andwhich, at 8" x 10" is slightly larger than the 6.5" x 8" riso editions. Grip!

To quote our own, earlierlisting for the riso, "Gripis Lale Westwind's comics constitution of cosmic energies in the service of manual creativity. Readers will be propelled through panel after panel filling page after page with imaginative delineations of a series of fantastic mergings of mind and hands with...

It's here! Five years in the making – by the team that brought you the Certified Copacetic Classic, This One Summer – Roaming is a triune portrait of youthful awakening into the dawning of adulthood. Over the course of its over 400 pages, the Tamakis weave layer upon layer of exuberence, curiosity and experience onto a ground of adolescent innocence. The entire tale takes place during a brief visit to New York City by the trio of Canadians at the center of this work (although there is a wonderful flashback shared by a pair of them that serves to illuminate the ground from which they are emerging). Roaming is a highly engaging work, the...

Here it is: the final (>sob!<) Peanuts strips by Charles M. Schulz, the last of which, the final Sunday page, originally appeared on the same day as Schulz's obituary, as he passed on from this world (and doubtless onto the Sphere of True Comics) the day before its publication. The editors cleverly filled out what would have otherwise been a slim volume by bookending the conclusion of Peanuts with the complete collection of Schulz's precursor strip to Peanuts, L'il Folks. And, to top it all off, this volume is introduced by none other than the President of the United States of America, Barack Obama! A fitting finale.

It took a minute to finally get here, but Red Flowers has at last arrived! Thedozen works that comprise this 278 page hardcover volume – the second in Drawn & Quarterly's ongoing series collectiing Tsuge's work –were all originally published between April 1967 and June 1968. So, while R. Crumb & Co. were pioneeringa new, "underground" form of comics in the USA, Tsuge Yoshiharu & Co. were blazing a comparably important and influential new, "literary" way of manga in Japan. As Mitsuhiro Asakawa and Ryan Holmberg state in the opening linesof their 28 page, in-depth essay that accompanies this volume, "It is no exaggeration to say...

(Book Two of the New Edition of the collected Love and Rockets) Most frequenters of this space are hep to the wonder of Love and Rockets. However, there are still those who have yet to see the light. Are you someone who still hasn't managed to get around to reading the greatest comics ever produced? If so, all we've got to say is: if you haven't read the original run of Love and Rockets (in any one of its extant formats) and you are trawling the web looking for exciting new releases and looking through back issue bins at your friendly neighborhood comics shop for classics of the days of yore, then you are simply wasting your time -- the...

back in print, at last! Originally published in 1994, City of Glass was ahead of the comics history curve in many respects, with its "serious" literary concerns and dazzling formal inventiveness. It was the most requested out-of-print volume in the history of the Copacetic Comics Company before being brought back in print in this 2004 edition. This edition remains faithful to the original, but has been updated with a new cover as well as a new introduction by Art Spiegelman (see above) that lays out the genesis of this particular work, helping to place it in the proper historical context. Recommended!

GIlbert Hernandez enthusiasts, aficionados, completists and collectors have reason to celebrate the release of Comics Dementia. Here, collected in a single volume, we have over 200 pages of GIlbert's wildest and wooliest comics, drawn together from hither and yon in the comics firmament. Not for the faint of heart or weak of mind, the work here is where Gilbert cuts loose and lets you have it, right in the eyes! So, hold onto your hats! 64 stories in all!

How's this for value: the complete 360 page graphic novel in hardcover for the same price as the 160 page Book One in softcover issued by Fantagraphics a couple years back? Not only that, but this edition completes Kim Thompson's excellent translation that he started for Book One. Originally published in six volumes in France between 1996 and 2004, this edition represents the first time the complete story has appeared in English. As readers of David B.'s recently released Babel already know, he is a formidable graphic stylist with a strong and sure line and a great sense of how to use blacks to create a balanced page. Epileptic is the...

Writtenand drawn – and designed – by the Italian artist, Igort (translated into English by Jamie RIchards) and printed in Italy, Japanese Notebooks is a sumptuous visual feast. It is also, of course, much more. It is: an investigation of the personal forces that drive artists to create in general andto pursuethe particular paths they do; an exploration ofhow their imaginationscome to be possessed byspecific images; a memoir of one particular artist's journey; and much else. Igort is one of the most accomplished comics makers currently working, and Japanese Notebooks is likelyhis most personal work yet, one that is apt to hold aparticular...