Fielder #3 is the comic book as meaning making machine. It is, literally, cover-to-cover comics –38 pages worth – and, not only that, there are two front covers; so, in one sense, it is actually two comics that meet in the middle.

There is so much COMICS here. It could also be said to be a comic book about what a comic book can be. Like, “look at all these different ways to approach the medium: you can do this, and that – and this, and that; and if you combine this you can do that –and if you add that you can do this. And you could draw it this way, or that way, or a combination of the two… and/or…"

There are six distinct sections plus an...

Back in print in this newDrawn and Quarterly hardcover edition!

Lynda Barry's art has never been more rich and satisfying than it is inOne Hundred Demons, the landmark 2002 book which represented a formal and stylistic breakthough not only for Ms. Barry, but for the world of comics as well. The work she has created for this beautifully printed volume features a layered bricolage that is undergirded by confident brushwork and an intuitively intimate color sense. All of it is solidly welded to an amazing and joyful sense of play in the service of a universalized personal revelation. Taken together, it makes for an unforgettable reading...

Sometimes, dreams do come true! Here it is, at long last: the first of two volumes collecting the entirety of Steve Ditko's pre-superhero output for Marvel Comics, almost all of which was scripted by Stan Lee. This massive, full color, slightly oversize, hardcover volume – the first of two! – collects a wallopin' 134 (!!!) tales, plus 16 bonus pages, ten of which are high quality reproductions of original pages. It all starts off with a great Roger Stern introduction. Yes!

COLLECTING:JOURNEY INTO MYSTERY (1952) #33, 38, 50-73, STRANGE TALES (1951) #46, 50, 67-91, TALES TO ASTONISH (1959) #1-26, TALES OF SUSPENSE (1959) #1-15, 17-24,...

It took us a minute to get this one in, due to screwball comedy hi-jinx. At long last, Saul Steinberg's first book, from way back in 1947 (?) is back in print in this luxe oversize hardcover edition fro NYRB, who have this to say about it:

"To escape fascist Europe, the artist Saul Steinberg drew his way to America. He made it to New York in 1942 already in contract with The New Yorker, but was soon called up to serve in the US Naval Reserve in World War II. This book, All In Line, is a memoir-via-drawing of this key time in Steinberg’s life, when he began to find his line and his way as an American.

In works for The New Yorker and...

This 248-page black & white 7.5" x 9.25" softcover is the fifth volume of Locas stories by Jaime Hernandez; and the eighth overall, the other three collecting Gilbert's Palomar stories. Esperanza picks up where 2010’s Penny Century collection left off in collecting the the stories from the second volume of Love and Rockets – the comic book size series that ran from 2000 through 2007. Together, the two volumes collect everything Locas up through #19, the second to last issue of the series (#20, the last issue, presents the full color story that originally ran in the New York Times, along with a second, off-format story of Maggie's...

The greatness continues! 1950 was the year of Carl Barks. Along with the title track this volume includes the mega-classics, "In Ancient Persia," "The Magic Hour Glass," "Big-Top Bedlam," the lesser know but nonetheless classic Christmas tale, "You Can't Guess," and perhaps the greatest summer vaction comic book story ever penned, "Vacation Time." Also on hand are a lone ten-pager from WDC&S #117 and three low-profile tales that accompanied "Vacation Time" in the pages of Vacation Parade #1: a one-page written but not drawn by Barks, and two tales that are drawn but, unusually,not written by Barks; one featuring Grandma Duck, and one...

FROM THE ARCHIVES

Here's ONE, like newcopy of the FIRST PRINT of the original 2009 edition of this just-reissued classic. Here's our write-up from back then:

OK, this is the one you've been waiting for! Eleven years in the making, a whopping 840 pages in length, A Drifting Life is the graphic memoir of one of the all-time manga greats. Over the last several years, Drawn and Quarterly has been assiduously releasing Tatsumi's classic gekiga, in which he pioneered a street savvy, morally ambiguous form of comics that thrived on grittier material and was more ambivalent about the post-war boom in Japan. A Drifting Life chronicles the years...

FROM THE ARCHIVES

You want funny? Look no further: This book will make you laugh. Like Peter Bagge's Hate, but smarter and more brutal in its judgments on this dysfunctional society of ours, and with a distinctive flavor all its own, this is a comic for people who see past the façade as a matter of course. Hey, Mister takes sarcasm to new heights. It makes us think of the Monty Python episode, the "Piranha Brothers," in which a fearful and trembling thug played by Michael Palin relates how Doug Piranha was the most terrifying gangster he had ever encountered because of the deft manner in which, "he used... sarcasm." And the bitterness, oh,...

Discipline, the latest comics work from Dash Shaw, has been in the works for over five years. Shaw set himself the difficult challenge of creating a calm, still work about war – specifically the American Civil War – one that would embody the Quaker ethos. Whereas most fictional depictions of war focus on strategy, technological prowess and valor on the battlefield, or, conversely, on the tragedy, absurdity and horror of war,Disciplinefocuses instead on the moral quandaries of war. These are approached within a philosophical matrix firmly grounded in the traditional Christian ethics of the Quaker faith, which hold, among much else, that one...