
This is perhaps the longest awaited work in the history of comics (No? Let us know what, in your estimation, beats it.). Over ten years in the making, Mazzucchelli's first ever solo graphic novel is also his first major work since his 1994 graphic adaptation of Paul Auster's City of Glass, a trailblazing, highly influential work which put him at the forefront of the then nascent "serious" graphic novel movement. David Mazzucchelli's work with Frank Miller in the mid-80s -- Daredevil: Born Again and Batman: Year One -- made him amainstream comics superstar, but then he walked away from it all to pursue his own calling of an independent,more...

Eleanor Davishas been producing comics of all sorts and sizes, employing a dazzling array of techniques and styles, for over a decade. In addition, she is an accomplished and widely published illustrator who also engages in a personal art practice. These multiple disciplines have continually informed and reinforced each other, leading to the rich and varied nature of the work that she continues to create. The work collected between the covers of How to Be Happy – much of it previously published inMOME– amply demonstrates the quality and range of her work, with a special focus on her most recent watercolor comics work, most notably "In Our...

Tillie Walden's long in the works and hotly anticipated coming of age story has arrived. In the pages of Spinning, Tillie Walden provides a first person window into the world of competitive figure skating. One of the western world's many subcultures,figure skating is like the proverbial iceberg which is carried alongbythe ocean of the dominant culture:all that most of ussee is the tippy top that appears on television during national and international competitions, while9/10 is submerged and hidden from site to all but those directly involved – until now. It is a world populated largely by girls.Manyof whom, as revealed here, enterit at the...

In the Swarm presents a cogent response to the rising tide of internet inf(l)ected consciousness that is deeply rooted in the European – primarily German – philosophical tradition, but don't let that scare you off. This slim tome, judiciously translated from the original German by Erik Butler, is straightforward and gets right to the point in sixteen concise chapters, each focused on a facet of the problem currently confronting us: thegradual yet seemingly ineluctable erosion of human agency resulting from our ever greater immersion in the sea of information. Written in 2013, this book was clearly ahead of the curve and will impress any...

Here It is: over 35 years worth of interviews, conducted between 1974 and 2011, with the one and only Jean "Moebius" Giraud, all conducted by his long time friend and associate, Numa Sadoul. It can be considered as the prose companion to Jean Giraud's spiritual journey through comics, taken in his persona of Moebius.
Translated by Edward Gauvin, so Anglophone readers can know they're in good hands.
282 page softcover | 8" x 11" | Illustrated (in B & W and full color) and annotated.
Get ready.

It's been almost 40 years, but worth the wait.Mark Alan Stamaty's legendary,Village Voicestrip,MacDoodle St. is back! The looooong out of print(paperbackonly)collection has now been reissued by New York Review Comicsin a spiffy hardcover edition that includes seven installations of theprecursor strip, "Garble Dee Goo" alongwith an all new,18 page addendum, to boot!
Mark Alan Stamaty's comics evince adistractibility that borders on anarchy and leads to mayhem and even chaos, yes, but attention deficit, no! Stamaty focuses on the details at the same time as his mind wanders all over creation (well, all over New York City) producing some...

It's here! This 264-page hardcover just released by Abrams ComicArts is sure to be the definitive comics biography of the one and only Ernie Bushmiller. Three Rocks digs deep and unearths some gems of insight (along with plenty of classic Nancy strips). A MUST for all Ernie Bushmiller – and Bill Griffith – fans!
Three Rocks weaves together fact and fantasy, history and speculation, as Griffith mixes research and his own artful musings with classic Bushmiller reprints. Uniquely and intriguingly, Griffith samples Bushmiller artwork – individual panels along with isolated figures from the strips – and remixes them for his own narrative ends...

It's time to let the good times roll - with MORTON! Let's all join David Collier on a cross country (in this case, Canada) rail journey and experience old school reality before it slips into the history books. We will be conveyed along our journey by train, the most civilized form of travel. We will experience the journey via comics, the most suitable form through which to communicate such an undertaking. And our pen & ink guide will be David Collier, who intuits the precise perspective.

Summerland is a unique piece of comics work, one which turns the typical creative hierarchy on its head, with the coloring in the dominant position, followed by the inking, then pencilling, and with the scripting tacked on almost an afterthought. The boldly inked lines are minimal yet effective in delineating the scene, and to brace the colors and let them do their stuff, and what they do here is something new. In the pages ofSummerland, Ms. Dawkins has improvised an innovative approach to color, one in which she "plays" the color scheme using tone clusters and chords, rather than the normative approach of hitting single notes and then...

Gilbert's follow up to 2013'sMarble Season,Bumperheadis another full-size, hardcover graphic novel fromDrawn & Quarterly, but it is much more than just a follow up. It's not going too far out on a limb to proclaimBumperheadGilbert's most fully realized work outside of theLove and Rocketscontinuity. He is in the zone here, playing to his strengths as a storyteller and artist as he relates life events, group dynamics and family to character formation and the Hernandezian Arc of Life. It's almost magic the wayBumperhead's players are broughtso vibrantly to lifethatthe reader comes away feeling that theyknowthe pen & ink people that...
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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