Here's a book we've really been looking forward to.   It was self-published last year – with the differently tensed title of How Comics Were Made – and sold out.  Now it has been released in a (lower-priced!) hardcover by Andrews ("Calvin and Hobbes") McMeel. This edition contains the entire contents of the original, with just a few tweaks, so you can get a good idea of what's in store by visiting the author's page for his self-published edition, HERE.  Cool! Right?  And, we've now also posted some pages from the book to help give you an even better idea of what's in store, HERE.

Just to be clear, the term "comics" in How Comics Are Made indicates, specifically, newspaper comicstrips, the "funny pages", and it is the genesis and evolution of the production processes of newspaper comicstrips that is the primary focus of this book.  And while it seems as clear to Fleischman as it does to the rest of us that the vast bulk of work produced for this particular form of printed comics that dawned in the last decade of the 19th Century is likely behind us, and that this form appears to have now entered its twilight years, newspaper comicstrips nevertheless continue to be printed to this day; thus the "were" of the original title being updated by Andrews McMeel – a still active comicstrip collection publisher – to "are".  

That said, as is well known by anyone schooled in comics history, comic books originated as reprint collections of newspaper comicstrips that were printed on the exact same presses using the exact same processes – just adding an extra fold and then staples and glossy covers.  So, while the focus here is entirely on newspaper comics, most of the same production techniques and technologies carried over to comic book production throughout the era of newsprint comic books, which dominated American comic books until, at least, the 1980s.  Thus there are plenty of insights into how comic book production evolved to be found here, as well.

How Comics Are Made was designed and illustrated by Mark Kaufman, and has an introduction by Michael Chabon, in which he reveals a personal connection – through his grandfather – to the world of newspaper production.  It also includes an intriguing aside into Watergate-era Doonesbury strips that reminds us of the unique place in comics history occupied by Gary Trudeau's long-running strip.

288 pages | 10 1/2" x 8 1/4" | full color

TEMPORARILY out of stock.  More on the way... Please check back!