This work premiered in North America at SPX 2019, after which Emil – who had travelled all the way from his native Denmark – stopped in here at Copacetic and performed (it was more than just a reading) as Dr. Murder himself.  As the book was a nearly complete sellout at SPX, the meagre remaining quantity he had available for sale at Copacetic was snapped up in no time, and we had been bereft of copies ever since... until now!  Finally, we have got our hands on an additional supply of this super fun, full size, vibrantly (and then some!) colored graphic novel that has traveled to us all the way from Denmark (but is, don't worry, nonetheless in English). 

Dr. Murder and the Island of Death has at is center the thesis that the underlying structure of adult life is simply High School endlessly repeated.  And, as that might seem at first to be a dispiriting notion, we will assure you that Ernst has as much fun with this as you can imagine (more, actually; and therein lies much of its appeal).  As fun as it is, there's also more:  an overarching moral commentary on the absurdity, implicit pettiness, and ultimate stupidity of self-aggrandizement in the face of the the power and mystery of nature, our world and the universe.  

And, as for the art itself, the linework is confident, the compositions well-balanced and the color scheme spectacular.  It makes a first impression that may have some readers thinking of the mind-bending 1970s work of Moebius and Philippe Druillet, but with a highly significant difference:  Ernst is a master of the grid, and he deftly employs it here for compositional balance as well as narrative clarity. His story telling is straighforward, and the narrative that unfolds here is, while complex, not complicated, allowing readers to immerse themselves in the visual splendour of the art while simlultaneously enjoying an entertaining tale – which is the essence of great comics!

You can take a deeper dive into this work by reading Greg Hunter's review on TCJ.com.

But, you're most likely to be convinced by taking a look at the work itself, and, fortunately, you can!  Emil has posted a nice chunk for your perusal on his own site, HERE.

PLEASE NOTE: This is the second edition, with a dustjacket (and also with a new, different cover underneath!), six bonus pin-ups and an ad for the Dr. Murder action figure (for realz) from Sad Onion.

GONE! 

 

Yes, it's that time, the new Now is here!  Starting off once again with a Theo Ellsworth one-pager, this issue immediately proceeds to the feature attraction: the 40-page epic, "Misguided Love" by Raquelle Jac, a relatively unheralded newcomer whose work also graces the front cover of this issue.  There are likely to be quite a wide variety of reactions to this story, which is powerful to the point of feeling like it risks running off its rails at any moment.  One thing most readers will agree on is that Ms. Jac's cartooning represents a bold, original synthesis – one can register hints of many cartoonists and comics makers here – as authentic as it is cathartic.  After that we are treated to the quite controlled stylings and musings of Keren Katz, followed by the amazing sight of an all new episode of Basil Wolverton's Spacehawk... by Noah Van Sciver!  Then Emil Friis Ernst delivers "Zoom", a finely composed, color saturated 10-pager which harkens back to the glory days (read: 1970s) of Metal Hurlant (Heavy Metal), particularly some of those enigmatic Moebius shorts.  The issue closes out with back-to-back 20-pagers that, while employing quite distinct graphic approaches, each provide their own window on life in our times: "Quarryhouse" by Ben Nadler and "How Mums Annoy You" by Ethel Wolfe.  Another great issue!

We had thought that Ex.Mag #3 was the end of the series... but we thought wrong!  Ex.Mag #4 has arrived on our doorstep, and it's a doozy!  Keeping with its theme of MECHA, this issue is GIANT-SIZE – running a full 300 pages.  Printed (in Europe) solely in a duotone palette of blue and red, on high quality, heavy, cream-colored newsprint, it also features a (not shown) glossy wraparound dustjacket and fold-out, full color poster, making for an overall package that is an æsthetic delight.  And that's before we even get to the comics themselves!  Page after page of beautifully drawn and action packed comics await.

Featuring comics from:  Aseyn, Ayako Ozaki, Beto Irigoyen, Casey Nowak, Emil Friis Ernst, Inkee Wang, Luca Negri, Sebastien Sunstrum, Simon Roy & Tatsumi

Cover and Poster illustrations by: Mony Pich, Fu Yukuda, Jan Buragay, Mathilde Kitteh & Huahua Zhu

Mecha Portfolio by Felipe Bolivar

And an article on the history of MECHA by Sean O’Mara  

NICE!

 

It’s been a minute, but the new Now has finally arrived!  This lucky thirteenth issue runs the gamut, bringing readers comics from France, Spain, New Zealand, Australia and, of course, the U.S. of A. representing a diverse and far ranging take on the form: from the 24 pages of abstract comics from Cynthia Alphonso to the classic one-page Paul-Schrader-driven gag comics from Nathan Gelgud; from Caitlin Skaalrud's lyrical and sensually drawn pæan to the creative life, “How to Make Comics,” to Stacy Gougoulis’s cooly rational and tightly drawn inspection of the thin walls separating life and death; from Emil Friis Ernst’s Apollonian techno-managerial metaphysics to Ross Murray’s Dionysian family-dynamic disfunction;  a couple signature quickies from Roman Muradov and Steven Weissman, showcasing their pithy wit to Kayla E’s full-on, 1990s-Chris-Ware meta-comics tackling despair with equal doses of rigorous deconstruction and slapstick humor.    In short:  another great issue! Kudos to Eric Reynolds for keeping the torch held high.