FROM THE ARCHIVES

Here's ONE, like newcopy of the FIRST PRINT of the original 2009 edition of this just-reissued classic. Here's our write-up from back then:

OK, this is the one you've been waiting for! Eleven years in the making, a whopping 840 pages in length, A Drifting Life is the graphic memoir of one of the all-time manga greats. Over the last several years, Drawn and Quarterly has been assiduously releasing Tatsumi's classic gekiga, in which he pioneered a street savvy, morally ambiguous form of comics that thrived on grittier material and was more ambivalent about the post-war boom in Japan. A Drifting Life chronicles the years...

This is a moment we've been waiting for for quite awhile. In our opinion, the least appreciated and most misunderstood science fiction writer of modern times, James Tiptree, Jr. (the nom de plume of Alice Sheldon) is a writer of breathtaking originality who is still ahead of her time, nearly twenty years after her death. That all of her work -- with the exception of a single "loose ends" collection that was published three years ago -- has been out of print for years is, in our opinion, a negligence that borders on the criminal. Thankfully ("Thank you, Tachyon Publications, thank you."), this situation has now come to an end with the...

The Ganzfeld is a true one-of-a-kind publication and #3 is by far the best issue yet. It shouldn't really be under the comics listing, but as it is truly uncategorizable, this is as good a spot as any. The editors once again bring together a unique group of designers, illustrators, cartoonists, and artists in a coherent, strongly designed format. It features a unique collaboration between Rick Moody and Fred Tomaselli; a new picture story by designer Geoff McFetridge, and even an illustrated essay by Alfred Hitchcock. Lengthy comics and picture stories are contributed by an international group, Renée French, Ron Rege, Jr., Blexbolex, Brian...

Yoshiharu Tsuge’s The Man Without Talent is simultaneously an elegy and a critique of a way of being, but most of all it is an immersive experience not to be forgotten. As in much of his work, Tsuge allows his own experiences to inform the tales he created for The Man Without Talent, and doing so clearly served to amplify the degree of verisimilitude and lifelikeness of the people, places and episodes depicted (and seeimngly, but perhaps ironically, simultaneously provides a commentary on the creator's sense of self worth).

Tsuge dolefully, yet expertly, conjures up a vivid world of misfits and oddballs living on the edge of society in...

Here it is in all its glory: the complete X'ed Out Trilogy – X'ed Out, The Hive and Sugar Skull – altogether in a single, attractive and affordable, full-size, softcover collection. Conceived as a Burnsian tribute to Herge's TinTin, the tale told in Last Look is a tortuously twisted take on thoseepic adventures in which the polyanna-ish innocence of TinTin is replaced molecule by molecule with the corruptions that are so readily at hand inthe world as we find it and, crucially, inthe world as our humanimagination makes it, as well. Perhapsmost of all, Burns demonstratesthe way in which these two worlds intersect.It is here that the...

Bill Griffith, widlely heralded as a founding father of underground comics and late-20th century pop counter culture, primarily for his star creation, Zippy the Pinhead, but also for his pioneering editorial contributions to the important comix anthologiesYoung Lustand, with Art Spiegelman,Arcade,has here, in the pages of this200 page graphic memoir, told the story that he has been keeping to himself all these many decades. This one's got a title -- well, subtitle, anyway -- that pretty much doesn't hold back the punch line; what was the big surprise for the author isfait accomplifor all readers going in. The reason for this is that there...

A long time coming, Collier's Popular Press is a hefty softcover volume just released by Conundrum Press. It starts off with an introduction by noted Canadian comics scholar, Jeet Heer, who situates Collier's work here squarely in the tradition of "observational cartooning," for which he provides a concise history before ushering in a whoppin' 200 pages of Collier comics, originally published over three decades in a variety of Canadian newspapers and magazines – few, if any, of which have previously reached the straining eyeballs of stateside comics readers. In addition, a series of Collier's essays and personal recollections are mixed...

Miraculously, after two decades of less than stellar recordings, Iggy has managed a return to form here on this album, produced at age 65 and released close on the heels of his 66th birthday. This is doubtless due in no small measure to the return of James Williamson on the heels of the multi-year reunion of Iggy with the (almost) original Stooges line-up. The presence of the Ron and Scott Asheton was not enough to saveThe Weirdness. Ready to Die is another story, however. Backed by James Williamson on multiple-tracked guitars, Scott Asheton on Drums, Mike Watt on Bass and Steve Mackay on Sax (of which there is plenty) as well as a number...

Before cracking open The Hard Tomorrow, it might be a good idea to mentally buckle up. Eleanor Davis's new graphic novellives up to its title. It is indeed ahard hitting look at how the here andnow could play out in what'scoming tomorrow – but certainly not one without hope, and that is, ultimately, the point. Beautifully drawn, dramatically paced, and overflowingwith empathy for its fully realized cast of characters, The Hard Tomorrow is vibrantly alive to being in the world in America in our time. Davis's choice to set the work a few years in the future (apparently2022 [which, of course, is now in the past - ed.]) givesher leeway to ramp...