Here it is: the final (>sob!<) Peanuts strips by Charles M. Schulz, the last of which, the final Sunday page, originally appeared on the same day as Schulz's obituary, as he passed on from this world (and doubtless onto the Sphere of True Comics) the day before its publication. The editors cleverly filled out what would have otherwise been a slim volume by bookending the conclusion of Peanuts with the complete collection of Schulz's precursor strip to Peanuts, L'il Folks. And, to top it all off, this volume is introduced by none other than the President of the United States of America, Barack Obama! A fitting finale.

Wow! The first issue of Liz Suburbia's newseries, Egg Cream, is a knockout! Her crisp,confident line in combination withartfullybalanced blackspottingcreatescomics that come alive in smartly arrangedpanelsfillingone well-composed page after another– 96 pages in all – in this squarebound volume ofall new comics work;printed just right in black and white on newsprint with cardsrtock covers.Startingoff with a hefty installment of the follow up,second volume of Sacred Heart, and concludingwith thegraphically advenutrous "Goth Ex GF,"Egg Cream is easily the best new series yet seen in2019!

Anyone unfamiliar with Liz Suburbia can get an idea not...

Typex'sAndy: The Life and Times of Andy Warholis a tour de force of comics biography. It's 562 (silver-edged!) pages delve deeply into the life and times of its subject. The work's central organizingprinciple is that each of its 10 chapters is conceived and designed as an individual issue of a comic book series, titledAndy, complete with it's own front and back covers (and, as an added bonus, each also comes with its ownuncut sheet of collector trading cards!). The chapters arechronologically arranged, with each tackling a particular arc of Warhol’s life and work. Each of the“issues" in thisserieshas been conceived and executed by Typex as...

NOW BACK IN PRINT IN SOFTCOVER!

Yes! 382 pages of comics selected from the next-to-impossible-to-find first fifty issues of King-Cat Comics (currently published under the title King-Cat Comics and Stories) by the long suffering self-publishing champ, John Porcellino. King-Cat Comics is an ideal illustration of the existentialist project that brings order and meaning to a life lived in an inherently absurb world. Beginning in May of 1989, Porcellino put pen to paper and declared that he would have no rules dictating what he would produce, only that it would be true to his artistic instincts and that it would all be called King-Cat Comics....

MORE Gilbert H. comics – close to 300 pages! Thecomics collected here were originally publishedinthe early-to-mid aughts, appearing in thesecond volume of Love and Rockets as well as theconcurrently publishedLuba's Comics & Stories. Some of these comics have already been previously collected in Luba: Three Daughters and High Soft Lisp as well as thehardcover Lubaomnibus. Now, here, they at last find their permanent home as the fourteenth volume in the affordable and attractive Fantagraphics uniform edition of Love and Rockets. Luba, Fritz, Pipo, Doralis, Milaand the rest havemore than their fair shareof ups and downs in thisheartbreak...

At looooong last – the first issue of Ganges was published in 2006 – the completeGangeshas been collected in this excellent hardcover volume from Drawn and Quarterly. And not just collected: In preparing this work for its permanent home, Huizenga went through the original issues with his inspector's hat on and tweaked this here and fixed that there, with the goal of bringing it all together in the best shape and form possible. Anyone who is looking for challenging, thought-provoking comics that push the boundaries of what comics can do – look no further, this is it!

In the meantime, we have written extensively on each of the individual...

Beneath this less than satisfactory, unrepresentative cover, lurks an amazing assemblage of fantastic sketchbook samples from a host of talented (and copacetic) comics creators from across the specturm.

This massive*, 352 page, 9" x 12", full color, French-flapped softcover is brimming over with great – and inspiring – drawings, layouts, sketches, doodles, thumbnails and more.

When this book was originally released in 2012 (!) not only did the art department let this book down, so did the marketing department, as nowhere in the material assembled to promote this book did they list the actual artists it contains. Why not??? If only they...

As crazy as it may sound, this is the first issue of a twelve-issue comic book maxi-series written and drawn by art comics favorites, Ben "Paper Rad" Jones and Frank "Storeyville" Santoro. Mightily manifesting the poignant praxis of pioneering publisher, Picturebox, Cold Heat is not necessarily stoned, but beautiful -- a hypnotically tranced-out, maximum-volume take on the action/adventure genre that stays out all night and doesn't come home until the party's over and it's time to crash. From it's super-slick full color covers, to its orange-juice-orange inside covers and through its 24-page interior printed entirely in magenta and sky...

The greatness continues! 1950 was the year of Carl Barks. Along with the title track this volume includes the mega-classics, "In Ancient Persia," "The Magic Hour Glass," "Big-Top Bedlam," the lessser know but nonetheless classic Christmas tale, "You Can't Guess," and perhaps the greatest summer vaction comic book story ever penned, "Vacation Time." Also on hand are a lone ten-pager from WDC&S #117 and three low-profile tales that accompanied "Vacation Time" in the pages of Vacation Parade #1: a one-page written but not drawn by Barks, and two tales that are drawn but, unusually,not written by Barks; one featuring Grandma Duck, and one...

Here it is, at last: a cosmic consciousness primer for kids. Inthese pages, Crane has stripped down his æsthetic to its core, crafting bold,optic nerve stimulating illustrations thatleapscales from the macroscopic to microscopic and back again, in dynamic andwildly colorfulimages that arestraight forward andimmediately,intuitively comprehensible.Taken together with the accompanyingsimple blocks of text, the series ofsequential combinations of images that make up We Are All Me unlock a latent power strong enough tolightup dormantneurons, leadingto new connections, and stimulatingspeculations, revealinga sense of wonder at creation capable...