
Here it is: the latest issue of The ACME Novelty Library. We feel safe in saying that: "Hey, it's new and it's by Chris Ware; do youreallyneed to know anything else?" That said, we will go ahead to further urge its purchase by stating thatLintis yetanothermasterpiece by the ever astonishing Chris Ware, who reveals himself here as the true, and greatest, heir of the American realist traditions of the 20th century that emerged from the midwest, in both literarature and art.Lintprovides its readers with a full life portrait of its titular protagonist as rich with personal detail and psychological insight as those found the novels of Sinclair...

YES! Olivier Schrauwen's one-of-a-kind masterwork is back in print, in this very nicely done French-flapped softcover edition. Fantagraphics has done right by this classic, carrying over the production specifics from the hardcover in this softcover: same crisp duo-tone (red & blue) printing, same toothy, flat, off-white paperstock. Very nice. The one significant difference is that it is printed in a slightly (roughly 15%) smaller size – 7 3/4" x 9 1/2" compared to the 9" x 11 1/4" of the hardcover. At last, those Copacetic customers who missed out on this during its original release can experience this mind-bending work.
Here's our...

And here's another reason to get up in the morning: a new release by Kevin H. This one is fairly convoluted in its conception and execution, but therein lies part of its appeal. Wild Kingdom had its humble beginnings in Super Monster 12 that was first published way back at the dawn of the millennium. This material was then bolstered and slightly reconfigured for the February 2006 release of the fourth issue of Or Else, his since discontinued Drawn & Quarterly series. And, now with Wild Kingdom, the material at last receives its apotheosis. The core meaning of Wild Kingdom is surrounded by a dense underbrush of irony that must be...

Hot off the press!
John P. has this to say about his latest creation: "This All-Animals Issue features stories on possums, dogs, cats, Midwestern mountain lions, moths, horses, frogs, toads, and more! Plus Catcalls and Top 40 etc etc. A winner. 40 digest pages, black and white throughout."
The All-Animals Issue! Don't miss it!

Krazy Kat aficionados have long placed its creator, George Herriman at or near the center of the development of comics and cartooning. A prodigious talent, and true comics pioneer – possessed of an unquestionable genius – he produced comics of startling fluidity; words, images and design each blending seamlessly, eachreinforcing andsupporting the other to create works of lasting strength and beauty. The concept of the intelligent vocalizing cartoon animal –the “funny animal” – that gave rise to Felix the Cat, Mickey Mouse, Bugs Bunny, Donald and Daffy Ducks and countless others was more or less forged by Herriman, who in the process opened...

IT'SHERE! The sixth and (maybe? maybe not??) final issue of Kevin Huizenga's revelatory exploration of andmeditation on time and space:Ganges. This issue focuses on some of the effects of technology on our temporal experience. As always, Huizenga takes the opportunity to explore the unique properties of comics; searching for new, untried and/or under-appreciated approaches to what the medium has to offer by way of communicating concepts and states – of mind as well as of being.
While all of us employing the latest gadgetry, apps, platforms, etc. have no shortage of anecdotes pertaining to our experience, Huizenga isn't satisfied with...

With the arrival of this, the second issueof the series, it becomes clear that the first was but a prologue. Here, in the 88 full color pages ofUnsmooth #2: BUM, E.S. Glenn opens up new portals and reveals previouslyunseen dimensions of what will henceforth be known as the Unsmooth Multiverse. Enmeshed within an encompassing framework of ligne claire bande dessinée, readers will encounter mechamanga (along with a snatch of horror hentai)– plus sub-titled anime videos – New Yorker cartoons (and anold school Penguin paperback), cartooned modern art (along with some graffiti),some classical, newspaper Sunday-pagestrips,photobooth strips,and...

Twenty-five years ago, inRaw, Volume 2, Number 1, Richard McGuire published a six-page work, titled "Here"*, and comics have never been the same since. Now, McGuire has expanded his revelation into a full length work, that, while it may be considered to fulfill the definition of graphic novel, is clearly something more besides. Years in the making,Hereis a meditation on time and its passage through place that employs the power of comics to concisely and powerfully convey their inextricable relation. ReadingHere, one is quickly gripped by a feeling of the uncanny. The realization that the precise spatial coordinates occupied by the room...

Summerland is a unique piece of comics work, one which turns the typical creative hierarchy on its head, with the coloring in the dominant position, followed by the inking, then pencilling, and with the scripting tacked on almost an afterthought. The boldly inked lines are minimal yet effective in delineating the scene, and to brace the colors and let them do their stuff, and what they do here is something new. In the pages ofSummerland, Ms. Dawkins has improvised an innovative approach to color, one in which she "plays" the color scheme using tone clusters and chords, rather than the normative approach of hitting single notes and then...
We heard only hours before starting to write up the arrival of the softcover edition of this classic work by two of the all-time greats of bande dessinee, that Moebius, perhaps the greatest of them all, had passed away. While Madwoman does not contain the type of cosmic science fiction imagery most closely associated with Moebius, it is second only to The Incal as his most important collaboration withAlejandro Jodorowsky, and it is a work that clearly demonstrates his seemingly effortless mastery of the form and that is certainly one of his most mature and sophisticated works from a narrative standpoint. On the one hand Madwoman is a close...
Yes, that's right, it's another summer break for the packing and mailing department here at Copacetic.
So, orders placed after 8:30am on Friday 31 July 2026 will not ship until Saturday 8 August 2026.
Our apologies for the delay.
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*Most of the comics available for purchase on this site – and MANY more besides – are available at our brick and mortar affiliate shop, Doomed Planet Comics, located in the former Copacetic Comics digs on the third floor at 3138 Dobson Street in Pittsburgh, PA.
Doomed Planet Hours
Sunday: 12pm - 5pm
Monday: 12pm - 5pm
Tuesday: CLOSED
Wednesday: CLOSED
Thursday: 12pm - 5pm
Friday: 12pm - 6pm
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