This graphic memoir is one of the single most touching and heartfelt works ever produced in comics form. The story of the author's parents and, beginning about half way in, the author's own as well, Ethel & Ernest presents a beautiful miniature of a couple's life together that is at the same time a definitive tale of 20th Century working class Britain. Yes, the book is not free from sentimentality, but has anyone ever produced a work about one's own parents that is? and not only that, the sentiment in Ethel & Ernest is of the highest order. The only work produced in comics that is even remotely comparable to this is Will Eisner's...

Unreal City is D.J. Bryant's first solo book (that we are aware of). Some Copacetic customers willbe familiar with the secondstory in this collection, as it originally appeared in MOME #19. This 21 pagestory, "Evelyn Dalton-Hoyt", is his brutally brilliant re-envisionment of "Driven to Destruction" by Steve Ditko (which, for all you comics collectors and scholars out there, isin the February 1972 [V.2#4]issue ofHaunted, from Charlton),in which an explicit (very) sexual subtext for the characters is supplied by Bryant's vivid imagination and conveyed through hishigh octane pencilling and inking, the combination of which may generate a...

The long awaited follow up toAbandoned Carshas arrived.The Lonesome Gois a giant oversize volume packed with more carefully placed ink lines than any book this side ofBlack Hole.Taking a hint from theLegend of Duluoz, St. Louis resident and Washington University lecturer, Tim Lane takes a turn down aLost Highway on aSavage Night, whereA Good Man Is Hard to Findand a sprawling chaos of comics ensues, recorded employing a visual lexicon that is partCharles Biroand partCharles Burnsand shines a light onthose parts of the American psyche that are usually left festering in the dark, allin the service of creating an acutely observed and fully...

Another impeccably surreal pantomime graphic novel from the unparalleledpen ofJim Woodring that takes us once again to the uncannyworld of Frank, Fran, Weathercraft and the Congress of the Animals. Written, illustrated and designed by Woodring, this hardcover edition of Poochytownis a sensual delight, while the work it transmits is an enlightening entertainment.

Back in print at last, this classic memoir of Chester's high school obsession with Playboy Magazine disabused Hugh Hefner of his notion that Playboy was just good clean fun - but only for the five minutes or so it took him to put it out of his mind. Other, more engaged thinkers will hold onto this impression a bit longer. It's hard for most to realize in this day and age when the high school memoir is a major staple of the comics – or should we say, graphic novel – market, but when the comics that make up this volume, and its companion piece, I Never Liked You, were first serialized in the pages of Yummy Fur, they were like nothing anyone...

The COMPLETE run of Jack Kirby's The Demon! These sixteen issues were originally published in1972 and 1973.

Crisply printed in full color on flat white paper. Nice!

One comics creator whose work can truly be appreciated by all ages is Carl Barks. Here is another splendiferous hardcover volume in the fifteen-year Fantagraphics Books project of bringing the entirety of his work for The Walt Disney Company back into print in a complete, thirty-volume edition of The Carl Barks Library. This is the sixth volume to be released (but is the eighth position, chronologically speaking, of the series as they are being released out of order) so it looks like we're a fifth of the way there. In this volume readers will get the chance to enjoy Barksian takes on the world of 1949 in graphic novellas such as the...

This is the second collection of Jim Rugg’s mind-bending, eye-poppin’ ballpoint pen drawings. It too is a cleverly formatted volume, resembling a spiral notebook, but this time around the notebook itself has gone a bit upscale, with a heavier stock and debossed title logo. The drawings themselves continue in the tradition established in the first volume, with the added twist that several are 3D drawings –using a red pen and a blue pen – that have been composed in 3D at the time of drawing, in other words drawn twice, once in red and once in blue, by hand in the notebook. Don’t try this at home! Only Jim Rugg could pull this off. To prevent...