
We've been selling Starstruck in one form or another since 1980, but were so used to hand-selling it that it didn't occur to us to put it onto our site... until now!
A long-time Copacetic favorite (that was, before that, a BEM favorite), Starstruck is the comics space opera par excellence! Lee and Kaluta's wacky, hi-jinx, freewheeling approach to story and relative unconcern with narrative cohesion (riffing, to some degree, on Gravity's Rainbow by Thomas Pynchon) – along with its non-linear approach to time – it has been printed in multiple arrangements and different orders without deleterious effect – allowed a truly epic scope for...

The second issue of the latest incarnation of The World's Greatest Comics Magazinehas arrived!

FROM THE ARCHIVES
ONE nice, close to new copy (with a light 1/2" tear in cover wrap at spine; nearly invisible). Actual copy for sale pictured at left.
Here's a chance to score this classic for less!
Here's our write up.

We were excited enough by this book's publicationthat we ordered it – from France – in it's originalFrench language release (resulting in us charging more than twice as much as we are for this North American release!). While, of course, there have been comics about jazz in the past – some of the best of which, intriguingly, have also originated in Europe– in Total Jazz, Blutch, comics master that he is, has done more than most to bring the spirit of jazz to itsrepresentation in comics form;working towardstranslating the jazzethos of improvisation within formal compositions into the language of comics. While many of the short pieces...

Ron Regé, Jr. strikes again! What Parsifal Saw collects Regé's work since The Cartoon Utopia. The two key pieceshere are "Cosmogenesis," illustrating the "secret doctrine" of Madame Helena Blavatsky, the key figure in the history of Theosophy (which had a significantinfluence on the first generation of modernist artists, notablyPiet Mondrian and Wassily Kandinsky), and"Diana," Regé's unique spin on W*nder W*man; both originally appeared in (now out-of-print)self-publishedmicro-editions. Also included are: "Pythagoras," which first appeared in The Pitchfork Review (andlater in Best American Comics 2015!);Regé's brilliant use of Alex...

There's no point in trying to compete with Chris Ware's own description of his latest project, so we won't. Here it is:
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Monograph by Chris WareWritten by Chris Ware, Preface by Ira Glass, Introduction by Francoise Mouly and Art Spiegelman
A flabbergasting experiment in publishing hubris,Monographcharts the art and literary world's increasing tolerance for the language of the empathetic doodle directly through the work of one of its most esthetically constipated practitioners.
For thirty years, writer and artist (i.e. cartoonist) Chris Ware (b. 1967) has been testing the patience of readers and fine art fans with his complicated and...

"The definitive course in comics narrative" continues, as Mastering Comics ventures deeper into the wilderness of formal comics instruction, widening and extending the trail blazed by Drawing Words & Writing Pictures. This horizontally formatted volume follows the same textbookish format as its precursor; this time around divided into eleven lessons, rather than 15, and at 318 pages is a tad heftier. This works out to lessons that are on average 50% longer and more in depth. In other words, Mastering Comics is a 200 level class to DW&WP's 100 level (although the authors clearly state that DW&WP is not a prerequisite for MC)....

What more can be said about the genius of Carl Barks? It towers over the landscape of comics history like the statue of Duckburg's founder, Cornelius Coot (erected by Uncle Scrooge in "Statuesque Spendthrifts" fromWalt Disney's Comics and Stories#138; collected inA Christmas for Shacktown),towers over that fair city. The title tale of this latest volume in the 15 year project to collect the entirety of Barks's Disney oeuvre, "The Old Castle's Secret" is a classic book-length tale of eerie mystery that was originally presented inFour Color#189, published in the summer of 1948, that provides the first fleshed out iteration of Uncle Scrooge...

This is the fifth volume in the series of young adult graphic biographies published by Hyperion under the ægis of The Center for Cartoon Studies, which reaches an important milestone here in that this volume is the first to be created by a graduate of their program, and as such provides proof postive that CCS is fulfilling its mission. Annie Sullivan and the Trials of Helen Keller is the most substantial work yet in this series and represents its strongest artistic achievement. More than that, it is an inspired work that demonstrates the power of comics to communicate.
It runs for 86 full color pages, each of which works from a 16-panel...

back in print, at last! Originally published in 1994, City of Glass was ahead of the comics history curve in many respects, with its "serious" literary concerns and dazzling formal inventiveness. It was the most requested out-of-print volume in the history of the Copacetic Comics Company before being brought back in print in this 2004 edition. This edition remains faithful to the original, but has been updated with a new cover as well as a new introduction by Art Spiegelman (see above) that lays out the genesis of this particular work, helping to place it in the proper historical context. Recommended!
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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