WOW! It's a dream come true for long suffering fans of the work of Alex Toth: over 370 pages of full color comics all scanned directly from the original 1950s comics published under the banner of Standard Comics in Toth's glory days of 1952 through 1954; and not only that, this 432 page softcover includes a heavily illustrated 30-page vintage interview with Toth from 1968; and, that's not all – there are also fourteen pages of notes by editor Sadowski (who, we must add, is also responsible for this volume's knock-out design and production) plus full color scans of the original black and white artwork for two complete stories (as well as a...

In glorious full color at last, here are the first four years of this wildly original series of Sunday comics pages – that were also collected in comic book form by Timely (Marvel, back when) Comics. These are the strips that inspired us to write the following upon the occasion of their reprinting in black and white a few years back under Greg Theakston's Pure Imagination imprint: "You want a gorgeously drawn, action packed, golden age super hero comic book, that centers on the adventures of an occasionally costume-clad heroine that's written and drawn by a woman and that, while it doesn't shy away from presenting its readers with a gaggle...

Finally, it's here: the most anticipated release of 2004 (so far). Striving for objet d'art status, McSweeney's 13 comes as close as any comics release to attaining it. Starting with a dust jacket that folds out into a two sided comics poster: the outer side featuring a dense full color, 360º narrative by editor and comics fiend, Chris Ware; the inner side featuring a vaguely ceremonial (think Mayan) worshipping of the idols of comics by Gary Panter. But there's more: tucked into the folds of this dust-jacket-cum-suitable-for-framing-wall-art are two mini-comics commissioned especially for this issue; one -- in full color -- by Ron Rege,...

A one-of-a-kind classic of the early years turn-of-the-century*, independent, creator-owned comics, Pop Gun War presents a fullembodiement ofthe imaginative capacities of the comics medium created by a natural-born comics maker.

*Pop Gun War was originally created and published between 1997 and 2003. It has now (in 2016) been reissued to prepare the ground for its forthcoming sequel.

Recommended!

Here it is: the best selling work (when combining the sales of its two previous incarnations) in the history of The Copacetic Comics Company has finally been published in a richly deserved, shelf-worthy – and, more to the point, library friendly – permanent edition. This 120 page hardcover is printed on archival white stock and presents the complete original work along with bonus pages documenting its history. Originally self-published in 2001 as Super Monster #14, "Gloriana" was the culmination of Huizenga's development as an artist, knitting together all his strengths as a comics theoretician, cartoonist and graphic explicator to produce...

It's here! Five years in the making. Ganges #5.

Kevin Huizenga makes comics like no one else. He strives to bring the mechanics of consciousness to life in pen and ink on paper, in text and image, diagram and chart. One of his primary concerns is the representation of the temporal dimension in the spatial, in capturing and organizing the implacable flow of time from infinity to eternity to the here and now on the page, and that is the primary focus of this issue. He is aware that this is, ultimately, an impossible task, but attempts it nonetheless, knowing that this is what it means to be human. In this, the fifth issue of his series ...

IT'SHERE! The sixth and (maybe? maybe not??) final issue of Kevin Huizenga's revelatory exploration of andmeditation on time and space:Ganges. This issue focuses on some of the effects of technology on our temporal experience. As always, Huizenga takes the opportunity to explore the unique properties of comics; searching for new, untried and/or under-appreciated approaches to what the medium has to offer by way of communicating concepts and states – of mind as well as of being.

While all of us employing the latest gadgetry, apps, platforms, etc. have no shortage of anecdotes pertaining to our experience, Huizenga isn't satisfied with...

Defying the norm, this second collection of Jack Kirby and Joe Simon's classic romance comics – a genre which they created, by the way; Young Romance #1 was the very first romance comic book – is a better book than the first volume, with both stronger stories and superior reproduction than the first volume. Romance was among the most successful of comic book genres in the history of the form, and was the most popular during its heyday of the late '40s and early '50s – the period on display in this excellent volume. Many people have a negative perception of romance comics as cliche ridden melodramas of brainless women duped into marriage by...

Gilbert's follow up to 2013'sMarble Season,Bumperheadis another full-size, hardcover graphic novel fromDrawn & Quarterly, but it is much more than just a follow up. It's not going too far out on a limb to proclaimBumperheadGilbert's most fully realized work outside of theLove and Rocketscontinuity. He is in the zone here, playing to his strengths as a storyteller and artist as he relates life events, group dynamics and family to character formation and the Hernandezian Arc of Life. It's almost magic the wayBumperhead's players are broughtso vibrantly to lifethatthe reader comes away feeling that theyknowthe pen & ink people that...

Boundless is a 248 assemblage composed of ninetales: World Class City;Body Pods;The Clairfree System;1. Jenny;Half Life;Darla!;bedbug;Sexcoven;Boundless. Each is possessed of itsown individual artistic personality, chosen to best visually convey the character of the story:rough and ready;smooth and silky;precise;loose;colorful;stark. Here, the real story is the way in which the taleis told. Decision embodied in line and composition.

Each of the pieces, while being a unique organic whole in and of itself, is part of a greater whole as well; part ofa tapestric unity. These stories deal with individuals alone, together and in groups. They...