This release has been years in getting across the finish line, but it's finally out – thanks to Perfectly Acceptable Press – and copies have at last arrived here at Copacetic!

While the publication of this book was originally planned – and long scheduled – to take place under the auspices of 2dCloud, now that we are holding the actual book in our hands, it feels like it was its destiny all along to be published by Perfectly Acceptable Press, and that it had to take this long and winding road in order to finally emerge in this physical form. It is a sturdy, hefty, well constructed hardcover with smyth-sewn binding that is well suited for...

Anyone on the lookout for intellectually stimulating, æsthetically challenging work – regardless of the form it takes – should be sure to investigate the comics of Dash Shaw. Shaw is a sophisticated visual thinker and natural experimenter unconstrained by generic conventions or audience expectations. In Doctors, soap operatic melodrama mixes freely with science fiction concepts (Philip Jose Farmer / Philip K Dick) and both are together presented to the reader with a bold decisive formalism that simultaneously brings to mind painters such as Hans Hoffman and filmmakers like Jean Luc Godard. The final product is in intriguing investigation...

Where to begin with such a book. It is clearly and definitely the best book ever done on Krazy Kat, which is, at least in our estimation, the greatest of the classic newspaper comics. Ergo, it is, Copacetically speaking, one of the single best volumes of comics ever produced. In other words, it wins the Desert Island Award: If there were one comics related book to take to a deserted island, this might very well be it. And as if that weren’t enough, it has now been reissued in an economy softcover edition that’ll only set you back a double sawbuck. Think of it-- a lifetime of pleasure and consolation for what it would cost you to spend a...

Salt Green Death takes its title from a line in James Joyce's Ulysses, further excerpts from which are interwoven throughout and seem to provide something of a template for the meandering stream of consciousness form of the narrative structure of the work, while the expressive distortions of the British painter, Francis Bacon provide a point of reference for the stunning and haunting visuals created by Thorsen to bring you into the maelstrom. While the primary focus is on Joseph O'Dwyer, child number four in the O'Dwyer family – who was institutionalized for most of his adult life, during which period the treatment regimes he was subjected...

When we learned that New York Review Comics was planning a new edition of two of Vaughn-James's other major works from the 1970s (Elephant and The Projector), we felt it was high time to bring this work, which we've been selling the shop for quite awhile(whenever we can get our hands on some copies!),to the attention of our online customers. Originally published in 1975, asa hardcover edition of 1500 copies by Toronto'sCoach House Press, The Cage was reissued in 2013, againby Coach House, in a softcover edition. Vaughn-James had a unique approach to, as well asa clearly prescientvision of, long form visually-centered narrative. Among his...

With the arrival of this, the second issueof the series, it becomes clear that the first was but a prologue. Here, in the 88 full color pages ofUnsmooth #2: BUM, E.S. Glenn opens up new portals and reveals previouslyunseen dimensions of what will henceforth be known as the Unsmooth Multiverse. Enmeshed within an encompassing framework of ligne claire bande dessinée, readers will encounter mechamanga (along with a snatch of horror hentai)– plus sub-titled anime videos – New Yorker cartoons (and anold school Penguin paperback), cartooned modern art (along with some graffiti),some classical, newspaper Sunday-pagestrips,photobooth strips,and...

Accruing accolades and awards by the bushelful, McBride's novel employs a staccato, jump-cut prose style reminiscent of Samuel Beckett, and puts it to new and original uses in this harrowing coming of age tale

Here's Anne Enright's review in the UK Guardian: http://www.theguardian.com/books/2013/sep/20/girl-half-formed-thing-review

Here's James Woods in The New Yorker: http://www.newyorker.com/magazine/2014/09/29/useless-prayers

We were excited enough by this book's publicationthat we ordered it – from France – in it's originalFrench language release (resulting in us charging more than twice as much as we are for this North American release!). While, of course, there have been comics about jazz in the past – some of the best of which, intriguingly, have also originated in Europe– in Total Jazz, Blutch, comics master that he is, has done more than most to bring the spirit of jazz to itsrepresentation in comics form;working towardstranslating the jazzethos of improvisation within formal compositions into the language of comics. While many of the short pieces...

It's hard to believe, but with this volume, the seventh in the new format, the repackaging of the first volume of Love and Rockets is now complete! While the first six volumes gave us the massive mythologies of Hoppers and Palomar, this issue collects all the odds 'n' ends and bric á brac that the fertile imaginations of los Bros unleashed when they were kicking back; as well as the story that started it all back in Love and Rockets #1, Gilbert Hernandez's BEM. Let us rhapsodize for a moment: It was with BEM that Gilbert Hernandez -- comics' own St. George -- slew the dragon of derivative, formulaic heroic fantasy comics that had been...

Eleanor Davishas been producing comics of all sorts and sizes, employing a dazzling array of techniques and styles, for over a decade. In addition, she is an accomplished and widely published illustrator who also engages in a personal art practice. These multiple disciplines have continually informed and reinforced each other, leading to the rich and varied nature of the work that she continues to create. The work collected between the covers of How to Be Happy – much of it previously published inMOME– amply demonstrates the quality and range of her work, with a special focus on her most recent watercolor comics work, most notably "In Our...