
This volume reissues the seminal, long out-of-print, and highly sought after volume which collected Spiegelman's trailblazing (pre-Maus)1970s work. These are the thoroughly original, self-aware comics about comics through which he forged a comics of deconstruction. This, in turn, led him, along with his wife, François Mouly, to pioneer a new comics aesthetics that forefronted comics' formal properties, consciously focused on the mechanics of production and that changed the face of comics in the 1980s: RAW. And there's more: this fabulous, oversize harcover volume includes a 20-page introduction in comics form in which Spiegelman takes the...

Hardcover. 175 pages. Full color and Black & white. Lots of triangle-shaped panels. Michael DeForge!
Hot off the press.

A one-of-a-kind classic of the early years turn-of-the-century*, independent, creator-owned comics, Pop Gun War presents a fullembodiement ofthe imaginative capacities of the comics medium created by a natural-born comics maker.
*Pop Gun War was originally created and published between 1997 and 2003. It has now (in 2016) been reissued to prepare the ground for its forthcoming sequel.
Recommended!

Wow, a double dose of Ron Regé, Jr.! (along with YH #12, which was released simultaneously) This one is technically Yeast Hoist #(lucky)13. It is a beautifully drawn, designed and produced square format volume. Printed in two colors with a full color flexi cover and endpapers this book is an aesthetic treat and a bargain to boot. Ron Regé, Jr. is channelling the spirit of the 20th century American painter, Charles Burchfield into 21st century comics. Like Burchfield's paintings, Regé's comics in this volume fill the viewer/reader with a sense of wonder at the impossible beauty and strange otherness of nature. His work really puts you...

Yes! 382 pages of comics selected from the next-to-impossible-to-find first fifty issues of King-Cat Comics (currently published under the title King-Cat Comics and Stories) by the long suffering self-publishing champ, John Porcellino. King-Cat Comics is an ideal illustration of the existentialist project that brings order and meaning to a life lived in an inherently absurb world. Beginning in May of 1989, Porcellino put pen to paper and declared that he would have no rules dictating what he would produce, only that it would be true to his artistic instincts and that it would all be called King-Cat Comics. As the years passed, King-Cat...

There's no point in trying to compete with Chris Ware's own description of his latest project, so we won't. Here it is:
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Monograph by Chris WareWritten by Chris Ware, Preface by Ira Glass, Introduction by Francoise Mouly and Art Spiegelman
A flabbergasting experiment in publishing hubris,Monographcharts the art and literary world's increasing tolerance for the language of the empathetic doodle directly through the work of one of its most esthetically constipated practitioners.
For thirty years, writer and artist (i.e. cartoonist) Chris Ware (b. 1967) has been testing the patience of readers and fine art fans with his complicated and...

IT'SHERE! The sixth and (maybe? maybe not??) final issue of Kevin Huizenga's revelatory exploration of andmeditation on time and space:Ganges. This issue focuses on some of the effects of technology on our temporal experience. As always, Huizenga takes the opportunity to explore the unique properties of comics; searching for new, untried and/or under-appreciated approaches to what the medium has to offer by way of communicating concepts and states – of mind as well as of being.
While all of us employing the latest gadgetry, apps, platforms, etc. have no shortage of anecdotes pertaining to our experience, Huizenga isn't satisfied with...

Tillie Walden's long in the works and hotly anticipated coming of age story has arrived. In the pages of Spinning, Tillie Walden provides a first person window into the world of competitive figure skating. One of the western world's many subcultures,figure skating is like the proverbial iceberg which is carried alongbythe ocean of the dominant culture:all that most of ussee is the tippy top that appears on television during national and international competitions, while9/10 is submerged and hidden from site to all but those directly involved – until now. It is a world populated largely by girls.Manyof whom, as revealed here, enterit at the...

The long (as in a decade) out of print, first D & Q collection of comics maestro, Kevin Huizenga's work, Curses is now at last back in print in this very nice French-flappped softcover edition – that includes 40 additional pages, including an appreciation by noted comics authority, Douglas Wolk.
Revisiting this thematically and formally interlinked collection of short to mid-length comics after close to twenty years, the first thought it how current, even prescient they seem. The social, political and personal observations feel as fresh and pertinent now as they did then. Huizenga's long running concerns with temporality, scale and...

FROM THE ARCHIVES
ONE, NICE FIRST PRINT (2011) copy, with back cover band still intact.
Currently in print at $45.00
Read the full Copacetic write up, HERE.

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Betsy and Joe began their careers in public television. Their recent filmmaking collaborations have a quiet, meditative style which is reflected in the shorts selected for this screening.
Betsy Seamans is a writer and filmmaker who makes documentary films about community and traditional life in the United States. She worked with Fred Rogers for over 30 years as script writer, actor and filmmaker for the MISTER ROGERS’ NEIGHBORHOOD program and to produce training materials related to children and community violence. For the past 15 years she and Joe have documented daily life in rural Tennessee. She received a National Endowment for the Arts award in 1971.
Joe is a documentary filmmaker by trade, working primarily for the Public Broadcasting Service since 1970 for series like the National Geographic Specials and NOVA for which his credits include producer, writer, and director of photography. Eight years ago, Joe began designing projections for theater and opera, primarily in Pittsburgh, where he has completed fifteen major productions.
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