This 248-page black & white 7.5" x 9.25" softcover is the fifth volume of Locas stories by Jaime Hernandez; and the eighth overall, the other three collecting Gilbert's Palomar stories. Esperanza picks up where 2010’s Penny Century collection left off in collecting the the stories from the second volume of Love and Rockets – the comic book size series that ran from 2000 through 2007. Together, the two volumes collect everything Locas up through #19, the second to last issue of the series (#20, the last issue, presents the full color story that originally ran in the New York Times, along with a second, off-format story of Maggie's...

Picking up where the first issue left off, Cold Heat #2 revs it up a few notches and takes us on a whirlwind ride through the dis-united states of the disturbed American psyche. Series artist, Frank Santoro once again refuses to play it safe. This time around he pulls out all the stops and takes the chances that most other artists wouldn't take even if they could. Leaping into the artistic no man's land between the well established borders of pre-existent genres, Santoro combines the propulsive narratives of mainstream American heroic adventure comics, the exaggerated expressiveness of Japanese manga, and the naivete of self-published...

FROM THE ARCHIVES

One NEW copy

Originally released in a softcover edition from Sasquatch Books,back in 2000,now, at last,The Greatest of Marlys has a permanent home befitting its status. This deluxe 248 page hardcover from the ever esteemed Drawn & Quarterly will last a lifetime and endure the many readings it will be sure to receive. Not only that, it includes additional strips not included in the original edition, and starts off with an all-new 2-page introductiorystrip created especially for this edition. Did we mention the endpapers? Nice! All for a bargain price. Don't miss it! (It probably won't be around that much longer; at...

There's no point in trying to compete with Chris Ware's own description of his latest project, so we won't. Here it is:

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Written by Chris Ware, Preface by Ira Glass, Introduction by Francoise Mouly and Art Spiegelman

A flabbergasting experiment in publishing hubris,Monographcharts the art and literary world's increasing tolerance for the language of the empathetic doodle directly through the work of one of its most esthetically constipated practitioners.

For thirty years, writer and artist (i.e. cartoonist) Chris Ware (b. 1967) has been testing the patience of readers and fine art fans with his complicated and...

Comics may not just be for kids anymore, but, of course, they still are especially well suited for stimulating the construction of neural pathways involved in decoding text, images and linking them together in chains of meaning – aka learning! – all of which are crucial to developing kids' minds. Even more importantly, many kids are naturally drawn to comics and quite a few actually enjoy making them. What better way to keep kids out of trouble and get them in touch with their creative side than encouraging them to make their own comics? And that's exactly what Comics: Easy as ABC aims to do. Penned by noted comics educator and author of...

Back in print at last, this classic memoir of Chester's high school obsession with Playboy Magazine disabused Hugh Hefner of his notion that Playboy was just good clean fun - but only for the five minutes or so it took him to put it out of his mind. Other, more engaged thinkers will hold onto this impression a bit longer. It's hard for most to realize in this day and age when the high school memoir is a major staple of the comics – or should we say, graphic novel – market, but when the comics that make up this volume, and its companion piece, I Never Liked You, were first serialized in the pages of Yummy Fur, they were like nothing anyone...

"The definitive course in comics narrative" continues, as Mastering Comics ventures deeper into the wilderness of formal comics instruction, widening and extending the trail blazed by Drawing Words & Writing Pictures. This horizontally formatted volume follows the same textbookish format as its precursor; this time around divided into eleven lessons, rather than 15, and at 318 pages is a tad heftier. This works out to lessons that are on average 50% longer and more in depth. In other words, Mastering Comics is a 200 level class to DW&WP's 100 level (although the authors clearly state that DW&WP is not a prerequisite for MC)....

An epic, hallucinatory journey that while physically set in South Africa, embarks from a place of alienation and detachment and travels throughdark and confusing psychological spaces – often viathe useof various psychoactive drugs – to arrive at an unexpected series of destinations, Highbone Theaterprovidesa comics trip like no other to anyreader adventurous enough to climb aboard.Imagine, if you will, a very Charles Burnsian narrative in which dream and reality, imagination and perception, delusion and conception, fiction, fantasy and rumination are all inextricably bound together into an irreducible mass. Then imagine it featuring a cast...

We were excited enough by this book's publicationthat we ordered it – from France – in it's originalFrench language release (resulting in us charging more than twice as much as we are for this North American release!). While, of course, there have been comics about jazz in the past – some of the best of which, intriguingly, have also originated in Europe– in Total Jazz, Blutch, comics master that he is, has done more than most to bring the spirit of jazz to itsrepresentation in comics form;working towardstranslating the jazzethos of improvisation within formal compositions into the language of comics. While many of the short pieces...

Hot House has at long last arrived here at Copacetic! The publisher, Fieldmouse Press, has produced a very nice, heavy-duty, oversize (9" x 11"), Smyth-sewn hardcover edition that runs 100 pages; in black & white, of course.

A notably multidisciplinary artist, John Hankiewicz is best known among Copacetic customers for his comics work, which features a labored, detailed pen & ink drawing style that has gradually evolved over his quarter century of comics making. His comics work is also especially notable for its highly successful translations of verbal/textual poetic principles such as meter, foot and rhyme into their visual/comics...