It's here: the first volume of Anders Nilsen's epic look at our collective 21st Century headspace: Tongues. Like a skilled neurosurgeon, he peels back the conscious, subconscious and unconscious layers of our civilization, taking each layer then staining them with his creative intelligence and putting them under the microscope revealing a spectacular vision of their intermingling forms of mythography, history, speculative fiction and more, all entwined within the double-helix of love and war, and lays them bare for the reader's edification and private analysis (which has put us in mind of a modern La Divina Commedia di Dante – particularly...

FROM THE ARCHIVES

ONE nice, close to new copy (with a light 1/2" tear in cover wrap at spine; nearly invisible). Actual copy for sale pictured at left.

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Prepare to have your socks knocked off. Originally published in France in 2014, Jean-Michel Dupont and Mezzo's Love in Vain is the comics biography of this blues founding father that you've been dreaming of. Clearly drawing on R. Crumb's comics bios of blues greats such asCharley Patton, and inspired by the inking ofCharles Burns, this senusally produced, horizontally formatted graphic novelis a work befitting thelegend of Robert Johnson, perhaps the most storied bluesman of them all.

Check out this Google image search for a peek at what's in store... Amazing, right?

The second issue of the latest incarnation of The World's Greatest Comics Magazinehas arrived!

Get ready for a 474 page graphic novel that entirely transpires on the one single day of the title. Move over Virginia Woolf, step aside Marcel Proust, get back James Joyce, Olivier Schrauwen is here to dilate time and fill it with consciousness, comics-style! Schrauwen's choice of imagery and manner of drawing it adds dimension and perspective to the stream of consciousness, creating meanings otherwise invisible – and in the process puts the comic in comic book. In addition to being a masterpiece, this is a very funny book.

Schrauwen knows how to leverage the innate strengths of comics like few others. If you want to know what ...

A long time coming, Collier's Popular Press is a hefty softcover volume just released by Conundrum Press. It starts off with an introduction by noted Canadian comics scholar, Jeet Heer, who situates Collier's work here squarely in the tradition of "observational cartooning," for which he provides a concise history before ushering in a whoppin' 200 pages of Collier comics, originally published over three decades in a variety of Canadian newspapers and magazines – few, if any, of which have previously reached the straining eyeballs of stateside comics readers. In addition, a series of Collier's essays and personal recollections are mixed...

Here it is in all its glory: the complete X'ed Out Trilogy – X'ed Out, The Hive and Sugar Skull – altogether in a single, attractive and affordable, full-size, softcover collection. Conceived as a Burnsian tribute to Herge's TinTin, the tale told in Last Look is a tortuously twisted take on thoseepic adventures in which the polyanna-ish innocence of TinTin is replaced molecule by molecule with the corruptions that are so readily at hand inthe world as we find it and, crucially, inthe world as our humanimagination makes it, as well. Perhapsmost of all, Burns demonstratesthe way in which these two worlds intersect.It is here that the...

"The definitive course in comics narrative" continues, as Mastering Comics ventures deeper into the wilderness of formal comics instruction, widening and extending the trail blazed by Drawing Words & Writing Pictures. This horizontally formatted volume follows the same textbookish format as its precursor; this time around divided into eleven lessons, rather than 15, and at 318 pages is a tad heftier. This works out to lessons that are on average 50% longer and more in depth. In other words, Mastering Comics is a 200 level class to DW&WP's 100 level (although the authors clearly state that DW&WP is not a prerequisite for MC)....

Unreal City is D.J. Bryant's first solo book (that we are aware of). Some Copacetic customers willbe familiar with the secondstory in this collection, as it originally appeared in MOME #19. This 21 pagestory, "Evelyn Dalton-Hoyt", is his brutally brilliant re-envisionment of "Driven to Destruction" by Steve Ditko (which, for all you comics collectors and scholars out there, isin the February 1972 [V.2#4]issue ofHaunted, from Charlton),in which an explicit (very) sexual subtext for the characters is supplied by Bryant's vivid imagination and conveyed through hishigh octane pencilling and inking, the combination of which may generate a...