The Sky Is Blue with a Single Cloud,the first, and likely definitive, English language collection ofthe work of Kuniko Tsurita, the firstwoman contributor to Garo – debuting in 1965 at the age of eighteen(!) – is a revelation. The eighteen uniquely powerful stories collected in this softcover volume provide readers with340 pages of formally inventive and visually daring manga,alloriginally published between 1966 and 1980, during which period Tsurita was the only regularly contributing woman in the pages of Garo. In addition, there is an invaluable 40 page illustrated essay, "The Life and Art of Kuniko Tsurita," by Ryan Holmberg and...

This is the fifth volume in the series of young adult graphic biographies published by Hyperion under the ægis of The Center for Cartoon Studies, which reaches an important milestone here in that this volume is the first to be created by a graduate of their program, and as such provides proof postive that CCS is fulfilling its mission. Annie Sullivan and the Trials of Helen Keller is the most substantial work yet in this series and represents its strongest artistic achievement. More than that, it is an inspired work that demonstrates the power of comics to communicate.

It runs for 86 full color pages, each of which works from a 16-panel...

Whilethis book has been enthusiastically soldin ourshop since shortly after its publication, we now feel thatitshould also be offeredhereas well. The single most important work of history to arrive at Copacetic during the course of its operation, Stamped from the Beginning is a tour de force that will foreveralter our views of the history of race – and racial relations – in America, first and foremost, but, ultimately, throughout the entire world. It’s author, Ibram X. Kendi has written a book that embodies atrulyrare combination of abilities: that of the dedicated, focused, rigorous research needed to marshalhistorical facts; that of the...

It's here: the last piece of the Spiegelman puzzle.Co-Mixpublishes an vast career-spanning array of Spiegelmania; taken together with the recently (re)publishedBreakdowns, it brings (back) into print the vast majority of Art's miscellanea: short pieces, comix, prints,New Yorkercovers, etc. While the wide world knows him almost solely through his perennial best-seller,Maus, within the world of comics his influence has been felt more through the works contained here. This book serves double duty as the catalogue for the exhibition of the same name that was produced by 9eArt+ for the 2012 Angoulême comics festival, and which, after travelling...

Prepare to have your socks knocked off. Originally published in France in 2014, Jean-Michel Dupont and Mezzo's Love in Vain is the comics biography of this blues founding father that you've been dreaming of. Clearly drawing on R. Crumb's comics bios of blues greats such asCharley Patton, and inspired by the inking ofCharles Burns, this senusally produced, horizontally formatted graphic novelis a work befitting thelegend of Robert Johnson, perhaps the most storied bluesman of them all.

Check out this Google image search for a peek at what's in store... Amazing, right?

Picking up, more or less, where Ganges left off, Kevin Huizenga's new series, Fieldercontinues to map new worlds for comics. The issue opens up – after an intriguing symbolization of the nature of thought on the inside front cover – withBona, a deconstructive remix of Sam Glanzman’sKona(which featured, improbably yet likely, scripts by Lionel Ziprin), published by Dell in the early 1960s. This story, which is bifurcated, with another, earlier part of the story appearing later(!) in the issue, highlights formal aspects of classic comics narratives while simultaneously reflecting on their generic tropes and the cultural milieu that produced...

Fielder #3 is the comic book as meaning making machine. It is, literally, cover-to-cover comics –38 pages worth – and, not only that, there are two front covers; so, in one sense, it is actually two comics that meet in the middle.

There is so much COMICS here. It could also be said to be a comic book about what a comic book can be. Like, “look at all these different ways to approach the medium: you can do this, and that – and this, and that; and if you combine this you can do that –and if you add that you can do this. And you could draw it this way, or that way, or a combination of the two… and/or…"

There are six distinct sections plus an...

<<•>> WAREHOUSE FIND <<•>> Much to our amazement, a heretofore unknown secret stash of the original 1995 newspaper edition of Storeyville has been unearthed! Each copy had been sealed in a polypropylene bag and the entire box had been taped up and stored away in a corner where it was eventually forgotten... until now! We haven't seen a copy of this for sale anywhere for years (except for one that was on sale on Amazon for $1000!) so, if this is something you've been thinking about, don't debate about it too long, as there's only this one box, and when it's empty, that's it! A perfect match of form and content, ...

With the arrival of this, the second issueof the series, it becomes clear that the first was but a prologue. Here, in the 88 full color pages ofUnsmooth #2: BUM, E.S. Glenn opens up new portals and reveals previouslyunseen dimensions of what will henceforth be known as the Unsmooth Multiverse. Enmeshed within an encompassing framework of ligne claire bande dessinée, readers will encounter mechamanga (along with a snatch of horror hentai)– plus sub-titled anime videos – New Yorker cartoons (and anold school Penguin paperback), cartooned modern art (along with some graffiti),some classical, newspaper Sunday-pagestrips,photobooth strips,and...