
It's time to let the good times roll - with MORTON! Let's all join David Collier on a cross country (in this case, Canada) rail journey and experience old school reality before it slips into the history books. We will be conveyed along our journey by train, the most civilized form of travel. We will experience the journey via comics, the most suitable form through which to communicate such an undertaking. And our pen & ink guide will be David Collier, who intuits the precise perspective.

When we learned that New York Review Comics was planning a new edition of two of Vaughn-James's other major works from the 1970s (Elephant and The Projector), we felt it was high time to bring this work, which we've been selling the shop for quite awhile(whenever we can get our hands on some copies!),to the attention of our online customers. Originally published in 1975, asa hardcover edition of 1500 copies by Toronto'sCoach House Press, The Cage was reissued in 2013, againby Coach House, in a softcover edition. Vaughn-James had a unique approach to, as well asa clearly prescientvision of, long form visually-centered narrative. Among his...

Beginning with the first impression – the juxtaposition of the book’s title, “Black Arms to Hold You Up” and its accompanying cover illustration of large, looming black arm(ament)s against a background of skeletons, between which the human actors are running in fear – it is clear right from the start that we are being presented with a multivalent and irony-rich agitprop work. It will be equally clear by the end that it is also a work capable of constructing new meaning through a masterful synthesis of image and text.
The phrase “to hold you up” in the title can have (at least) three possible meanings: 1) to physically hold you up, as in to...


Sometimes, dreams do come true! Here it is, at long last: the first of two volumes collecting the entirety of Steve Ditko's pre-superhero output for Marvel Comics, almost all of which was scripted by Stan Lee. This massive, full color, slightly oversize, hardcover volume – the first of two! – collects a wallopin' 134 (!!!) tales, plus 16 bonus pages, ten of which are high quality reproductions of original pages. It all starts off with a great Roger Stern introduction. Yes!
COLLECTING:JOURNEY INTO MYSTERY (1952) #33, 38, 50-73, STRANGE TALES (1951) #46, 50, 67-91, TALES TO ASTONISH (1959) #1-26, TALES OF SUSPENSE (1959) #1-15, 17-24,...


Fielder #3 is the comic book as meaning making machine. It is, literally, cover-to-cover comics –38 pages worth – and, not only that, there are two front covers; so, in one sense, it is actually two comics that meet in the middle.
There is so much COMICS here. It could also be said to be a comic book about what a comic book can be. Like, “look at all these different ways to approach the medium: you can do this, and that – and this, and that; and if you combine this you can do that –and if you add that you can do this. And you could draw it this way, or that way, or a combination of the two… and/or…"
There are six distinct sections plus an...

Back in print at last! in an amazing oversize (9 1/2" x 12 1/2") full color hardcover edition, no less. Madwoman of the Sacred Heart is the other Moebius/Jodorowsky masterpiece (along with, of course, The Incal). This edition, as with the previous, standard size editions, collects all three original albums. Here's our original listing:
Moebius & Jodorowsky's Madwoman is, perhaps, the screwball comedy to end all screwball comedies. Opening on a French college campus, it startsout slow with what seems at first to be the beginnings ofa fairly typical professorial indiscretion with an attractive younger student, but.... Well, we don't want...

Before cracking open The Hard Tomorrow, it might be a good idea to mentally buckle up – and maybe even put on an emotionally protectivehelmetfor good measure –as Eleanor Davis's new graphic novellives up to its title. It is indeed ahard hitting look at how the here andnow could play out in what'scoming – but certainly not one without hope, and that is, ultimately, the point. Beautifully drawn, dramatically paced, and overflowingwith empathy for its fully realized cast of characters, The Hard Tomorrow is vibrantly alive to being in the world in America in our time. Davis's choice to set the work a few years in the future (apparently2022)...

The most lushly beautiful and haunting of all of Fellini's films, the climax of Federico Fellini's artistic collaboration with his life-long partner, actress Giulietta Masina, an experience that can never be forgotten, Juliet of the Spirits is now available on DVD from the Criterion Collection! In Juliet of the Spirits, the processes involved in identity formation -- specifically those that involve the family dynamic and religious aspirations -- are shown to involve spirits of the past which, while they typically are encountered during the process of "growing up" as the values which are transmitted through the generations, are more real...

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Betsy and Joe began their careers in public television. Their recent filmmaking collaborations have a quiet, meditative style which is reflected in the shorts selected for this screening.
Betsy Seamans is a writer and filmmaker who makes documentary films about community and traditional life in the United States. She worked with Fred Rogers for over 30 years as script writer, actor and filmmaker for the MISTER ROGERS’ NEIGHBORHOOD program and to produce training materials related to children and community violence. For the past 15 years she and Joe have documented daily life in rural Tennessee. She received a National Endowment for the Arts award in 1971.
Joe is a documentary filmmaker by trade, working primarily for the Public Broadcasting Service since 1970 for series like the National Geographic Specials and NOVA for which his credits include producer, writer, and director of photography. Eight years ago, Joe began designing projections for theater and opera, primarily in Pittsburgh, where he has completed fifteen major productions.
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