No one has ever created better Christmas comics than Carl Barks. "Christmas on Bear Mountain" is more than just another Barks Christmas Classic, however: it has the added historical significance of being the story for which Barks created his most famous character: Scrooge McDuck – Uncle Scrooge to Donald and his nephews. Scrooge – obviously patterned after the character of the same name form Charles Dickens'sA Christmas Carol– was originally created simply as the dramatic foil for Donald and his nephews in this particular story that was originally released for Christmas in 1947, and that was supposed to be that... but Barks quickly...

FROM THE ARCHIVES

One NEW copy

Originally released in a softcover edition from Sasquatch Books,back in 2000,now, at last,The Greatest of Marlys has a permanent home befitting its status. This deluxe 248 page hardcover from the ever esteemed Drawn & Quarterly will last a lifetime and endure the many readings it will be sure to receive. Not only that, it includes additional strips not included in the original edition, and starts off with an all-new 2-page introductiorystrip created especially for this edition. Did we mention the endpapers? Nice! All for a bargain price. Don't miss it! (It probably won't be around that much longer; at...

Salt Green Death takes its title from a line in James Joyce's Ulysses, further excerpts from which are interwoven throughout and seem to provide something of a template for the meandering stream of consciousness form of the narrative structure of the work, while the expressive distortions of the British painter, Francis Bacon provide a point of reference for the stunning and haunting visuals created by Thorsen to bring you into the maelstrom. While the primary focus is on Joseph O'Dwyer, child number four in the O'Dwyer family – who was institutionalized for most of his adult life, during which period the treatment regimes he was subjected...

Huzzah! Here it is: the third – and final (>sob<) – year of Herriman's inventive, insightful and very funny strip– which wrapped up pretty much exactly a century ago–that he drew concurrently with Krazy Kat!Starting off with another fine introduction by Jared Gardner, this volume takes us all the way to the end of the strip's run, which actually results in us getting a bit more that a year's worth this time around, as it ran through to January 18, 1919. Baron Bean is, for our money, Herriman's finest work outside of Krazy Kat, and IDW's Library of American Comics has done an outstanding job of presenting crisp, full size...

Aptly referred to as "the B-SIde to Shakespeare's Romeo and Juliet", Ronald Wimberly's Prince of Cats pulls off quite a feat: successfully reimagining the world of Romeo and Juliet in an hepper-than-hep 1980s NYC where hip-hop and punk exist side-by-side andduels are settled with Samurai swords. The story here centers and pivots on the figure of Tybalt, with Romeo and Juliet as supporting cast. The art is dynamic, colorful and perfectly captures the mood while doing an amazing job of visually transcribing the throbbing soundtrack of the streets, train tracks, nightclubs, tenements, alleyways, nightclubs, bedrooms, offices, backrooms and...

WOW! Attilio Micheluzzi's crisp, pen & ink, black & white artwork here in the 144 pages of this full-size hardcover edition of The Farewell Song of Marcel Labrume is knock-your-socks-off good. It's part of lineage that starts with the fine line rendering of Hal Foster and Alex Raymond on the one hand and strong compositional skills of Milt Caniff and Noel Sickles on the other, and that falls exactly – perfectly – between Alex Toth and early Jaime Hernandez (who then combined it with much else, took it in another direction and made it all his own). The characters and stories are at times reminiscent of Howard Hawks, with a tough guy...

Wow, a double dose of Ron Regé, Jr.! (along with YH #12, which was released simultaneously) This one is technically Yeast Hoist #(lucky)13. It is a beautifully drawn, designed and produced square format volume. Printed in two colors with a full color flexi cover and endpapers this book is an aesthetic treat and a bargain to boot. Ron Regé, Jr. is channelling the spirit of the 20th century American painter, Charles Burchfield into 21st century comics. Like Burchfield's paintings, Regé's comics in this volume fill the viewer/reader with a sense of wonder at the impossible beauty and strange otherness of nature. His work really puts you...

Eleanor Davishas been producing comics of all sorts and sizes, employing a dazzling array of techniques and styles, for over a decade. In addition, she is an accomplished and widely published illustrator who also engages in a personal art practice. These multiple disciplines have continually informed and reinforced each other, leading to the rich and varied nature of the work that she continues to create. The work collected between the covers of How to Be Happy – much of it previously published inMOME– amply demonstrates the quality and range of her work, with a special focus on her most recent watercolor comics work, most notably "In Our...

It's here: the first volume of Anders Nilsen's epic look at our collective 21st Century headspace: Tongues. Like a skilled neurosurgeon, he peels back the conscious, subconscious and unconscious layers of our civilization, taking each layer then staining them with his creative intelligence and putting them under the microscope revealing a spectacular vision of their intermingling forms of mythography, history, speculative fiction and more, all entwined within the double-helix of love and war, and lays them bare for the reader's edification and private analysis (which has put us in mind of a modern La Divina Commedia di Dante – particularly...