2011 marked the culmination of a decades-spanning career arc as Frank Santoro found his art at the center of the 2011 Pittsburgh Biennial at The Carnegie Museum of Art, where he attended studio art classes as a youth. We are excited to at last be able to offer for sale copies of his 16-page tabloid newspaper comics work that was the highlight of that exhibit. In a signature Santoro move, Blast Furnace Funnies is a work of "High" (i.e., museum quality) art executed in the lowest of the "Low" art forms (a disposable newspaper); employing ephemerality to evoke eternity, he has here worked (in a form that often ends up) in the gutter to reach...

Eleanor Davishas been producing comics of all sorts and sizes, employing a dazzling array of techniques and styles, for over a decade. In addition, she is an accomplished and widely published illustrator who also engages in a personal art practice. These multiple disciplines have continually informed and reinforced each other, leading to the rich and varied nature of the work that she continues to create. The work collected between the covers of How to Be Happy – much of it previously published inMOME– amply demonstrates the quality and range of her work, with a special focus on her most recent watercolor comics work, most notably "In Our...

I Am Young reads likea series oflushly renderedpostcards sent through time from eras past, eachaccompanied by an illustrated "soundtrack" consisting of classic LPs. Running throughout, as the main theme, is an ill-starred love story set to the music, lives and times of The Beatles. Other LPs incorporated into the narratives of love and heartbreak are Eddy Arnold's Anytime, The Beach Boys Pet Sounds, theTom Jones debut, Along Came Jones (ironic or not ironic? / that is the question), along withChuck Berry's greatest hits collection, The Great Twenty-Eight –and it all gets started with a Brunswick 78 rpm 10" of Cab Calloway's "St. James...

The most formally ambitious issue yet in theRetrofit Comicsseries published by Box Brown, Andrew White'sWe Will Remaincontains five shorts works which together serve to showcase White's native abilities as well as demonstrating that he has absorbed some of the key lessons ofFrank Santoro's comics correspondence course. Recommended for those who appreciate the work of David Mazzucchelli and Dash Shaw, as well as Santoro,We WIll Remainstarts off with a dramatic shift from the micro to the macro as the small scale personal work "The Deep End" gives way to the cosmic conundrum of "Travel" before heading into a trio of formal experiments, "As...

Through a hard won personal process developed over decades of his artistic practice, Mark Doox has merged the respective iconographies of Byzantine Christian art and racist American art, effecting a strange transformation whereby each becomes the other as they become one. A large selection of the mixed-media artworks that have emerged from this practice have been assembled together with artworks created specifically for this volume and then accompanied by a series of self-authored texts, which serve the dual purpose of providing exigetical commentary on the artworks themselves and advancing arguments which the artworks then serve to...

Here it is, the book that put Katchor firmly on the map when it was first published in 1996. While he has been regularly producing comics in and about NYC since the 1980s, and had already had one collection –Cheap Novelties– published by Penguin (and recently reissued by D & Q),Julius Knipl, Real Estate Photographeris the book which finally attracted the attention that Katchor’s work had long deserved. Katchor’s pen and ink (and ink wash!) comics create a parallax lens which show a reality that is invisible to others, that transports readers through a crack in the surface of “reality” to reveal a magical series of vignettes that seem –...

Unreal City is D.J. Bryant's first solo book (that we are aware of). Some Copacetic customers willbe familiar with the secondstory in this collection, as it originally appeared in MOME #19. This 21 pagestory, "Evelyn Dalton-Hoyt", is his brutally brilliant re-envisionment of "Driven to Destruction" by Steve Ditko (which, for all you comics collectors and scholars out there, isin the February 1972 [V.2#4]issue ofHaunted, from Charlton),in which an explicit (very) sexual subtext for the characters is supplied by Bryant's vivid imagination and conveyed through hishigh octane pencilling and inking, the combination of which may generate a...

Long treasured here at The Copacetic Comics Company, the truly unique – and rarely seen – late-period romance comics of the one and only Ogden Whitney have at last been collected in book form. This volume has been many years in the making, and we are excited to see it at last gracing our new arrivals table. Whatisit about these comics that makes themso unforgettable? There is a pathos at work here as in few other comics. Whitney was a life long cartoonist and comics maker. He had dedicated his life to his craft, and here in these comics he is heading into the home stretch. This work carries with it the private sufferings and triumphs of a...

This is the fifth volume in the series of young adult graphic biographies published by Hyperion under the ægis of The Center for Cartoon Studies, which reaches an important milestone here in that this volume is the first to be created by a graduate of their program, and as such provides proof postive that CCS is fulfilling its mission. Annie Sullivan and the Trials of Helen Keller is the most substantial work yet in this series and represents its strongest artistic achievement. More than that, it is an inspired work that demonstrates the power of comics to communicate.

It runs for 86 full color pages, each of which works from a 16-panel...