From the Archives: ONE new copy of the original hardcover edition (2nd print; September 2011) of the first volume of the superb – and definitive – archival study of the life and work of Alex Toth.

Here's the original Publisher write-up:

Compiled with complete access to the family archives and with the full cooperation of Toth's children, this lavishly illustrated biography features many rare comics pages, photographs, and drawings and reproduces twenty complete stories, including a previously unknown and unfinished story from the 1950's, most printed from the original artwork. Includes bibliographical references. Presents a biography of...

Salt Green Death takes its title from a line in James Joyce's Ulysses, further excerpts from which are interwoven throughout and seem to provide something of a template for the meandering stream of consciousness form of the narrative structure of the work, while the expressive distortions of the British painter, Francis Bacon provide a point of reference for the stunning and haunting visuals created by Thorsen to bring you into the maelstrom. While the primary focus is on Joseph O'Dwyer, child number four in the O'Dwyer family – who was institutionalized for most of his adult life, during which period the treatment regimes he was subjected...

Torices takes a Warholian approach to visual variations on a theme that incorporates a wide...

The long (as in a decade) out of print, first D & Q collection of comics maestro, Kevin Huizenga's work, Curses is now at last back in print in this very nice French-flappped softcover edition – that includes 40 additional pages, including an appreciation by noted comics authority, Douglas Wolk.

Revisiting this thematically and formally interlinked collection of short to mid-length comics after close to twenty years, the first thought it how current, even prescient they seem. The social, political and personal observations feel as fresh and pertinent now as they did then. Huizenga's long running concerns with temporality, scale and...

The greatness continues! 1950 was the year of Carl Barks. Along with the title track this volume includes the mega-classics, "In Ancient Persia," "The Magic Hour Glass," "Big-Top Bedlam," the lesser know but nonetheless classic Christmas tale, "You Can't Guess," and perhaps the greatest summer vaction comic book story ever penned, "Vacation Time." Also on hand are a lone ten-pager from WDC&S #117 and three low-profile tales that accompanied "Vacation Time" in the pages of Vacation Parade #1: a one-page written but not drawn by Barks, and two tales that are drawn but, unusually,not written by Barks; one featuring Grandma Duck, and one...

Comics may not just be for kids anymore, but, of course, they still are especially well suited for stimulating the construction of neural pathways involved in decoding text, images and linking them together in chains of meaning – aka learning! – all of which are crucial to developing kids' minds. Even more importantly, many kids are naturally drawn to comics and quite a few actually enjoy making them. What better way to keep kids out of trouble and get them in touch with their creative side than encouraging them to make their own comics? And that's exactly what Comics: Easy as ABC aims to do. Penned by noted comics educator and author of...

The much anticipated first collection by up-and-coming-new-comics-champ, Kevin Huizenga is at last on our shelves. Its arrival may, however, signal the end of Huizenga's status as an up-and-comer, and initiate his ensconsement in the ranks of established contemporary masters of comics. This volume brings together a wide range of Huizenga's work from a wide variety of sources. It starts off with a little known (well, not to long time Copacetic customers) gem from the Orchid anthology published by Sparkplug Comics, titled, "Green Tea." It is adapted from a classic Victorian horror story of the same name by Sheridan Le Fanu, but is given the...

This One Summeris a finely nuanced portrait of pubescents at the dawning of their age of sexuality that will have readers slowing down if not stopping in their tracks to pause and soak up every line of this amazing work. The Tamaki cousins enter Hernandez brothers territory here, with their deftly characterized and deeply empathic portraits of each pen & ink participant in the drama that unfolds on these pages. There are echoes, too, of Charles Burns’sBlack Hole, in the presentation of the protagonists' stumbling upon detritus strewn outdoor settings that stand as a synecdoche forinnocence’s discoveringthe mysteries of sexual...

Originally published in 1960 and out of print for many years, The Labyrinth is Saul Steinberg's most significant single volume collection. It has now at long last been reissued in a this superb hardcover edition from New York Review of Books, whichfeaturesa new introduction by Nicholson Baker, along with anafterword by Harold Rosenbergandnew notes on the artwork from by Sheila Schwartz, the Research and Archives Director of The Saul Steinberg Foundation. Steinberg's oeuvre is unique, straddling the worlds of comics, illustration and gallery art whileproviding a window on the process ofcreative thought in line.

This Pulitzer Prize winning novel represents the apotheosis of Millhauser’s obsession with obsessives. In the character of Martin Dressler, Millhauser has found a character that fulfills both his personal needs as a writer and the novel’s needs for justification. Dressler serves as a synecdoche for both the American Way and the American Dream, or, perhaps, more properly, how these two overlap and even, at times -- such as during the 1990s, when this novel appeared, merge into an organic whole in which each are indistinguishable from one another. Millhauser’s inimitable style carries the reader through the life-cycle of Dressler’s dream of...