
The day has finally dawned on the first new North American edition of Moebius work in a generation. The World of Edena is the first in a series of deluxe hardcover volumes that will reintroduce the great French master of comics (bande dessinée) to readerson this side of the Atlantic. Collecting all theEdenashort stories in a deluxe, 344 page, full color,hardcover edition,The World of Edenaincludes “Upon a Star,” “Gardens of Edena,” “The Goddess,” “Stel,” and “Sra.” Although several had been translated into English in the 1980s, this will be the first time “Sra” has been available to English-language audiences. Dark Horse has done a nice...
FROM THE ARCHIVES | ONE solid second hand copy
When it comes to artfully integrating book design into the form of a graphic novel in such a way as to enhance the expression of its content, Mr. Hornschemeier has few peers. To our mind, only Clowes, Ware and Seth have been as successful in this department*, and it bears remarking that there seems to be a bit of trend in effect among these design-oriented comics craftsmen as the latest work by each of these three creators shares with Hornschemier's a strong biographical focus on the protagonist. Wilson, Lint and George Sprott each present their eponymous protagonist's life story**, and Life...

WIth Halcyon: Hermeneutics, or "The New Cartoon Utopia, Ron Rege, Jr. channels the Skibber Bee Bye vibe into a hybridic (schizophrenic?) enhanced/virtual reality // back to nature future via the hyper-connected computer/gaming saturated present and in the process continues to build his unique brand of visionary comics. This foray into the fantastic realms takes the physical form of a 112 page, giant-size (10+" x 12+"), full (flat) color, laminated hardcover volume. Angels and devils (who may be one and the same?) and other celestial beings of the spirit realm dash and dart about the cosmos, both inner and outer – and while doing so,...

Here it is: the best selling work (when combining the sales of its two previous incarnations) in the history of The Copacetic Comics Company has finally been published in a richly deserved, shelf-worthy – and, more to the point, library friendly – permanent edition. This 120 page hardcover is printed on archival white stock and presents the complete original work along with bonus pages documenting its history. Originally self-published in 2001 as Super Monster #14, "Gloriana" was the culmination of Huizenga's development as an artist, knitting together all his strengths as a comics theoretician, cartoonist and graphic explicator to produce...


Pulses raced throughout the shop as these meticulously designed and printed 11 5/8" x 12 1/4" hardcover books emerged from the box they were shipped in. This book is cover to cover fabulosity; not a square inch of wasted space is to be found. What we have on hand here are the more than 150 (!) full color – andwhatcolor! Katchor is revealed here to be a coloristpar excellence(think Pierre Bonnard) – full page strips Katchor has been producingsince 1988forMetropolis,the excellent and, crucially for our enjoyment of these Katchor strips, oversize magazine devoted to architecture, design and, as the name suggests, urban living. Rather than...

From the view here at Copacetic, it appears that Monica has received the highest profile debut of any book in Fantagraphics history – talk about buzz! When was the last time that a graphic novel made the cover / lead review of the New York Times Book Review? (those with access can read it here) Then there's the Washington Post (ditto, about access) Then there's the pieces in the LA Times, The New Yorker, Vanity Fair, and a pair of reviews in The Guardian (first | second), and that's just for starters.
In typical Clowesian fashion, Monica follows the titular character through one rabbit hole after another, as she searches for the meaning of...

This is perhaps the longest awaited work in the history of comics (No? Let us know what, in your estimation, beats it.). Over ten years in the making, Mazzucchelli's first ever solo graphic novel is also his first major work since his 1994 graphic adaptation of Paul Auster's City of Glass, a trailblazing, highly influential work which put him at the forefront of the then nascent "serious" graphic novel movement. David Mazzucchelli's work with Frank Miller in the mid-80s -- Daredevil: Born Again and Batman: Year One -- made him amainstream comics superstar, but then he walked away from it all to pursue his own calling of an independent,more...

The fabulous Fantagraphics project to collect the complete classic Carl Barks comics featuring the "Disney" Ducks – which could more accurately be described as the Barks Ducks – continues with this volume devoted to Barks's most famous creation, Uncle Scrooge. "Only a Poor Man" collects the entirety of the first six issues of Uncle Scrooge that were originally published between 1952 and 1954. Not only are the classic Scrooge epics that form the bulk of each of the six issues collected here (for the record: "Only a Poor Old Man", "Back to the Klondike", "The Horse Radish Treasure", "The Menehune Mystery", "The Secret of Atlantis" and...

Originally published in 1960 and out of print for many years, The Labyrinth is Saul Steinberg's most significant single volume collection. It has now at long last been reissued in a this superb hardcover edition from New York Review of Books, whichfeaturesa new introduction by Nicholson Baker, along with anafterword by Harold Rosenbergandnew notes on the artwork from by Sheila Schwartz, the Research and Archives Director of The Saul Steinberg Foundation. Steinberg's oeuvre is unique, straddling the worlds of comics, illustration and gallery art whileproviding a window on the process ofcreative thought in line.
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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