Aptly referred to as "the B-SIde to Shakespeare's Romeo and Juliet", Ronald Wimberly's Prince of Cats pulls off quite a feat: successfully reimagining the world of Romeo and Juliet in an hepper-than-hep 1980s NYC where hip-hop and punk exist side-by-side andduels are settled with Samurai swords. The story here centers and pivots on the figure of Tybalt, with Romeo and Juliet as supporting cast. The art is dynamic, colorful and perfectly captures the mood while doing an amazing job of visually transcribing the throbbing soundtrack of the streets, train tracks, nightclubs, tenements, alleyways, nightclubs, bedrooms, offices, backrooms and...

It's here: the last piece of the Spiegelman puzzle.Co-Mixpublishes an vast career-spanning array of Spiegelmania; taken together with the recently (re)publishedBreakdowns, it brings (back) into print the vast majority of Art's miscellanea: short pieces, comix, prints,New Yorkercovers, etc. While the wide world knows him almost solely through his perennial best-seller,Maus, within the world of comics his influence has been felt more through the works contained here. This book serves double duty as the catalogue for the exhibition of the same name that was produced by 9eArt+ for the 2012 Angoulême comics festival, and which, after travelling...

It's here! It looks... AMAZING!!! Featuring the work of many of today's most adventurous comickers and cartoonists, the ninth volume in this epoch-making anthology harkens back to the look, feel and heft of the fourth, which was the volume that put Kramers on the map, and is still the sentimental favorite at Copacetic. Here we have a highly informed selection of 288 pages of comics that draws on Harkham's knowledge of and connections with the contemporary comics making community. The work he has assembled here displays a full spectrum of the amazing variety of what the form is capable of expressing. Miss at your own peril!

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What can you say about a book that opens with a Galactus quote from Fantastic Four #49, drops more comics references -- particularly to the classics of the 1980s -- than any novel we've ever read, clearly shows the influence of Gilbert Hernandez's Palomar and, especially, Luba stories, AND won the Pulitzer Prize for best novel of 2007? We'd say, "This is a must read! Particularly suitable for fans of Jonathan Lethem's Fortress of Solitude and Michael Chabon's (also Pulitzer Prize winning) The Amazing Adventures of Kavalier and Clay." And then we'd add: The Brief Wondrous Life of Oscar Wao is a gigantic meditation on the inner life of the...

Pulses raced throughout the shop as these meticulously designed and printed 11 5/8" x 12 1/4" hardcover books emerged from the box they were shipped in. This book is cover to cover fabulosity; not a square inch of wasted space is to be found. What we have on hand here are the more than 150 (!) full color – andwhatcolor! Katchor is revealed here to be a coloristpar excellence(think Pierre Bonnard) – full page strips Katchor has been producingsince 1988forMetropolis,the excellent and, crucially for our enjoyment of these Katchor strips, oversize magazine devoted to architecture, design and, as the name suggests, urban living. Rather than...

Believe it or not, it's been over twenty years since the publication of Understanding Comics, which established the breakthrough realization that the most effective way to truly explain how comics work is in comics form. Now, at last, we have the next iteration of this understanding: that the most effective way to explain how comics presented here as consciously thinking and writing and, of course, reading — in a free flowing combination of images and text — are changing the way we represent our world and understand ourselves is also in comics form. Unflattening, just published by Harvard University Press, is the book form of Sousanis's...

It's here. The originalLocas saga featuringMaggie & Hopeyfrom the original run of Love and Rockets. It's creation beganin 1981 and it ran through 1996. 712 pages. All Jaime Hernandez. What more needs to be said?

All printed in the same magazine-size, on the same flat white stock, as the original issues. All together in a massive* hardcover with sewn binding.

A look at the book and a few samples of the greatness that reside within: HERE.

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(and still at) SPECIAL INTRO PRICE

* Almost seven pounds; thus the high shipping cost (sorry).

We were excited enough by this book's publicationthat we ordered it – from France – in it's originalFrench language release (resulting in us charging more than twice as much as we are for this North American release!). While, of course, there have been comics about jazz in the past – some of the best of which, intriguingly, have also originated in Europe– in Total Jazz, Blutch, comics master that he is, has done more than most to bring the spirit of jazz to itsrepresentation in comics form;working towardstranslating the jazzethos of improvisation within formal compositions into the language of comics. While many of the short pieces...

[cue Strauss's Also Sprach Zarathustra] Yes, after long journeying through the comicsphere, it has finally arrived in book form ... Longboxes! (Volume One) Close to four years in the making, this 288-page compendium – with page dimensions that are close to exactly halfway between an issue of Grixly and an issue of a standard modern comic book – includes all officially designated "Longboxes" comics from Grixly #50 - #68 (And, yes, you are correct, #67 & #68 have not yet been released), along with ten pages of earlier precursor comics, from earlier issues of Grixly, that foreshadowed the coming of Longboxes – plus an even dozen bonus...

Here at Copacetic Comics, we've long been fond of calling Hicksville "the Watchmen of small press comics." This is useful in that practically all comics readers are familiar with and have positive associations with The Watchmen, and we feel that Hicksville is a similarly ambitious, successful and important work, and so is one that we like to draw attention to, and comparing it to the Watchmen is a cheap and easy way to do so. Whether or not this is a good, right or fair thing to say in regards to to the themes and content of the respective works, we're not going to try to defend. The comparison's validity rests more on a historical point...