It's time to let the good times roll - with MORTON! Let's all join David Collier on a cross country (in this case, Canada) rail journey and experience old school reality before it slips into the history books. We will be conveyed along our journey by train, the most civilized form of travel. We will experience the journey via comics, the most suitable form through which to communicate such an undertaking. And our pen & ink guide will be David Collier, who intuits the precise perspective.

It's here: the first volume of Anders Nilsen's epic look at our collective 21st Century headspace: Tongues. Like a skilled neurosurgeon, he peels back the conscious, subconscious and unconscious layers of our civilization, taking each layer then staining them with his creative intelligence and putting them under the microscope revealing a spectacular vision of their intermingling forms of mythography, history, speculative fiction and more, all entwined within the double-helix of love and war, and lays them bare for the reader's edification and private analysis (which has put us in mind of a modern La Divina Commedia di Dante – particularly...

edited by Ivan Brunetti It's too early to say for certain, but this follow-up to Brunetti's already classic 2006 anthology, also published by Yale University Press, might just be even better than its precursor. One thing's for certain: Brunetti has held onto -- and further refined -- his editorial vision of arranging the work contained in this volume in an organic sequence, deftly managing to map out the similarities between artists so that each piece flows smoothly into into the other, creating an amazing sense of an innate connectivity between all areas of comics here on display. This book is a powerful ally in the struggle to bring the...

Picking up, more or less, where Ganges left off, Kevin Huizenga's new series, Fieldercontinues to map new worlds for comics. The issue opens up – after an intriguing symbolization of the nature of thought on the inside front cover – withBona, a deconstructive remix of Sam Glanzman’sKona(which featured, improbably yet likely, scripts by Lionel Ziprin), published by Dell in the early 1960s. This story, which is bifurcated, with another, earlier part of the story appearing later(!) in the issue, highlights formal aspects of classic comics narratives while simultaneously reflecting on their generic tropes and the cultural milieu that produced...

There's no point in trying to compete with Chris Ware's own description of his latest project, so we won't. Here it is:

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Written by Chris Ware, Preface by Ira Glass, Introduction by Francoise Mouly and Art Spiegelman

A flabbergasting experiment in publishing hubris,Monographcharts the art and literary world's increasing tolerance for the language of the empathetic doodle directly through the work of one of its most esthetically constipated practitioners.

For thirty years, writer and artist (i.e. cartoonist) Chris Ware (b. 1967) has been testing the patience of readers and fine art fans with his complicated and...

Long – and criminally! – out of print, Howard Cruse's epochal work of long form comics, Stuck Rubber Baby,one of the most significant early North American graphic novels – and among the first to truly merit the label – is at last back in print in this deluxe hardcover edition from First Second that has been released to celebrate the 25th anniversary of its initial publication – an anniversary that Cruse did not get to celebrate himself, having passed away late last year (but he was involved in the preparations for this edition, and so, of course, knew it was coming, thankfully). This edition includes over 20 pages of bonus materials, much...

2022 has clearly been a watershed year for Ms. Julie Doucet. Firstshe won the 49th Angouleme Festival’s Grand Prix(only the third woman to do so). Then, a month later, her first (drawn) comics work in 15 years,Time Zone Jwas published to a flurry of press, including in theNY Times(along with stalwarts,TCJandThe Beat and others). A result of all this publicity is that it, apparently, generated a significant early demand for the book – as we initially struggled to get and keep it in stock. But, the pressure has abated, and we've managed to put in a good stock.

We've been big fans of the work of Mr. Hankiewicz for quite some time, and are thrilled to be able to offer Sparkplug Comic Books' massive new 108-page, 8 1/2" x 11" collection of his totally unique, perplexingly obscure, abstrusely enigmatic, elegantly rendered pen and ink parables and small tales. This work is frustratingly difficult to describe, and we're not going to try at this juncture. (OK, we'll give it a lame whirl: think of the precise, detail driven work of Charles Sheeler (got it?) and then add to this a blend of David Lynch, René Magritte, Max Ernst and Franz Kafka, and then convert the whole shebang into a pen-and-ink graphic...