Golden Boyis an exuberant portrayal of the early, formative years of the object of thePeanutscharacter, Schroeder’s obsession, the German composer, Ludwig van Beethoven. Originally published in Germany in 2020, it has now been released in North America in an English translation by Nika Knight that well captures the spirit and style of the original German. This attractive, 192 page, full color, hardcover edition comes to us courtesy of Fantagraphics Books. It is by turns fascinating, fun, insightful, entertaining and altogether hugely enjoyable.

Mikael Ross, whose previous work from Fantagraphics,The Thuddisplayed a highly developed level...

PLEASE NOTE: new, but shelf worn copies, w/ minor cover dings

Now Let Me Fly is a 322 page hardcover that presents the story of Eugene Bullard, who started out life in the Jim Crow south here in the USA at the turn of the twentieth century, and then, through a combination of striving, daring and skill crossed the Atlantic, where, when the First World War broke out, he fought in the French army before going on to become the first African American fighter pilot in history. Ronald Wimberly's story is expertly crafted with a genius framing sequence that simultaneously drives multiple points across to any attentive reader. The story that...

It's been almost 40 years, but worth the wait.Mark Alan Stamaty's legendary,Village Voicestrip,MacDoodle St. is back! The looooong out of print(paperbackonly)collection has now been reissued by New York Review Comicsin a spiffy hardcover edition that includes seven installations of theprecursor strip, "Garble Dee Goo" alongwith an all new,18 page addendum, to boot!

Mark Alan Stamaty's comics evince adistractibility that borders on anarchy and leads to mayhem and even chaos, yes, but attention deficit, no! Stamaty focuses on the details at the same time as his mind wanders all over creation (well, all over New York City) producing some...

It's time to let the good times roll - with MORTON! Let's all join David Collier on a cross country (in this case, Canada) rail journey and experience old school reality before it slips into the history books. We will be conveyed along our journey by train, the most civilized form of travel. We will experience the journey via comics, the most suitable form through which to communicate such an undertaking. And our pen & ink guide will be David Collier, who intuits the precise perspective.

Here is a one of a kind item. It is a real challenge to describe just how different it is. Ronald Wimberly has long been a student of Japanese culture and æsthetics – among much else – and has leveraged that experience into this multi-levelled, ultimately unclassifiable work (and that unclassifiability is very much part of its significance). Wimberly has the chops to code switch between a host of stylistic practices both visual and linguistic, encompassing classical Japanese forms and practices, European high culture, American academia (which is represented here by several essays by recognized scholars writing on Wimberly's work that are...

Approximate Hellhound, the arrival of which has been highly anticipated by the Copacetic Comics Co., is now standing tall on our trusty CD rack. Listening to this disc for the first time is an experience akin to that of suddenly realizing that the movie you inadvertently ended up watching at three in the morning has you riveted, and you find yourself thinking that it is the most amazing thing you've ever seen. The ten tracks on this discflow like a conversation, each one picking up where the other left off, generating a persuasive musical argument that drives its train of thought to the end of the line. Our favorites include: "Take What...

Picking up, more or less, where Ganges left off, Kevin Huizenga's new series, Fieldercontinues to map new worlds for comics. The issue opens up – after an intriguing symbolization of the nature of thought on the inside front cover – withBona, a deconstructive remix of Sam Glanzman’sKona(which featured, improbably yet likely, scripts by Lionel Ziprin), published by Dell in the early 1960s. This story, which is bifurcated, with another, earlier part of the story appearing later(!) in the issue, highlights formal aspects of classic comics narratives while simultaneously reflecting on their generic tropes and the cultural milieu that produced...

Long treasured here at The Copacetic Comics Company, the truly unique – and rarely seen – late-period romance comics of the one and only Ogden Whitney have at last been collected in book form. This volume has been many years in the making, and we are excited to see it at last gracing our new arrivals table. Whatisit about these comics that makes themso unforgettable? There is a pathos at work here as in few other comics. Whitney was a life long cartoonist and comics maker. He had dedicated his life to his craft, and here in these comics he is heading into the home stretch. This work carries with it the private sufferings and triumphs of a...

Back in print in this newDrawn and Quarterly hardcover edition!

Lynda Barry's art has never been more rich and satisfying than it is inOne Hundred Demons, the landmark 2002 book which represented a formal and stylistic breakthough not only for Ms. Barry, but for the world of comics as well. The work she has created for this beautifully printed volume features a layered bricolage that is undergirded by confident brushwork and an intuitively intimate color sense. All of it is solidly welded to an amazing and joyful sense of play in the service of a universalized personal revelation. Taken together, it makes for an unforgettable reading...

This 248-page black & white 7.5" x 9.25" softcover is the fifth volume of Locas stories by Jaime Hernandez; and the eighth overall, the other three collecting Gilbert's Palomar stories. Esperanza picks up where 2010’s Penny Century collection left off in collecting the the stories from the second volume of Love and Rockets – the comic book size series that ran from 2000 through 2007. Together, the two volumes collect everything Locas up through #19, the second to last issue of the series (#20, the last issue, presents the full color story that originally ran in the New York Times, along with a second, off-format story of Maggie's...