A long time coming, Collier's Popular Press is a hefty softcover volume just released by Conundrum Press. It starts off with an introduction by noted Canadian comics scholar, Jeet Heer, who situates Collier's work here squarely in the tradition of "observational cartooning," for which he provides a concise history before ushering in a whoppin' 200 pages of Collier comics, originally published over three decades in a variety of Canadian newspapers and magazines – few, if any, of which have previously reached the straining eyeballs of stateside comics readers. In addition, a series of Collier's essays and personal recollections are mixed...

2022 has clearly been a watershed year for Ms. Julie Doucet. Firstshe won the 49th Angouleme Festival’s Grand Prix(only the third woman to do so). Then, a month later, her first (drawn) comics work in 15 years,Time Zone Jwas published to a flurry of press, including in theNY Times(along with stalwarts,TCJandThe Beat and others). A result of all this publicity is that it, apparently, generated a significant early demand for the book – as we initially struggled to get and keep it in stock. But, the pressure has abated, and we've managed to put in a good stock.

Available again at last, courtesy New York Review Comics (thanks!), after being out of print for decades,Gary Panter's Jimbo: Adventures in Paradise originally exploded on the comics scene in 1988 and forever changed the landscape. It is arguable that moreformal innovation is contained in this work than in any other single work of comics. Jimbo open up vast new territories for comics, territories that have been avidly explored ever since by a host of innovative artists that have followed the trail that Panter blazed here (and elsewhere, of course; but this is the motherlode). Now, a new generation of readers, including the artists among...

Brecht Evens, creator of The Wrong Place, The Making Of and Panther (all of which except forPanther, which was, thankfully, just reprtinted arecurrently – and shockingly –out of print here in North America)has,in TheCity of Belgium,likely produced hismasterpiece.There might not be any other work that compares in the effectiveness ofits conveyance of the feeling of being immersed in the overflowing of city life, of the sense of being aware of everything, of being surrounded byso much – too much – that ishappening all aroundat every moment. Ariotous explosion of color and details communicate the overwhelming feelings that accompany this...

With the arrival of this, the second issueof the series, it becomes clear that the first was but a prologue. Here, in the 88 full color pages ofUnsmooth #2: BUM, E.S. Glenn opens up new portals and reveals previouslyunseen dimensions of what will henceforth be known as the Unsmooth Multiverse. Enmeshed within an encompassing framework of ligne claire bande dessinée, readers will encounter mechamanga (along with a snatch of horror hentai)– plus sub-titled anime videos – New Yorker cartoons (and anold school Penguin paperback), cartooned modern art (along with some graffiti),some classical, newspaper Sunday-pagestrips,photobooth strips,and...

With Jack's Book, Gifford and Lee launched the oral biography as a valid form(there'd be no Please Kill Me without it), and arguably created what remains its gold standard. Here you have a portrait in the round of the central figure of "the beat generation" (who hated that label) provided by all the other players who were in his circle during the two decades of his writing career. William Burroughs, Allen Ginsberg, Carolyn Cassady, Gregory Corso, Lawrence Felinghetti, Gary Snyder and many more herein provide thoughtful, forthright recollections of Kerouac, his scene and the times in which they mixed. Gifford and Lee weave them together...

YES! The book that announced Ben Katchor's special genius to the world, Cheap Novelties is at long last back in print in this fabulous hardcover edition from Drawn & Quarterly that will go quite nicely on the shelf next to Katchor's other great works, such as Julius Knpl, Real Estate Photographer, The Beauty Supply District, and The Cardboard Valise.

This is perhaps the longest awaited work in the history of comics (No? Let us know what, in your estimation, beats it.). Over ten years in the making, Mazzucchelli's first ever solo graphic novel is also his first major work since his 1994 graphic adaptation of Paul Auster's City of Glass, a trailblazing, highly influential work which put him at the forefront of the then nascent "serious" graphic novel movement. David Mazzucchelli's work with Frank Miller in the mid-80s -- Daredevil: Born Again and Batman: Year One -- made him amainstream comics superstar, but then he walked away from it all to pursue his own calling of an independent,more...

The much anticipated first collection by up-and-coming-new-comics-champ, Kevin Huizenga is at last on our shelves. Its arrival may, however, signal the end of Huizenga's status as an up-and-comer, and initiate his ensconsement in the ranks of established contemporary masters of comics. This volume brings together a wide range of Huizenga's work from a wide variety of sources. It starts off with a little known (well, not to long time Copacetic customers) gem from the Orchid anthology published by Sparkplug Comics, titled, "Green Tea." It is adapted from a classic Victorian horror story of the same name by Sheridan Le Fanu, but is given the...

This 248-page black & white 7.5" x 9.25" softcover is the fifth volume of Locas stories by Jaime Hernandez; and the eighth overall, the other three collecting Gilbert's Palomar stories. Esperanza picks up where 2010’s Penny Century collection left off in collecting the the stories from the second volume of Love and Rockets – the comic book size series that ran from 2000 through 2007. Together, the two volumes collect everything Locas up through #19, the second to last issue of the series (#20, the last issue, presents the full color story that originally ran in the New York Times, along with a second, off-format story of Maggie's...