
It's time to let the good times roll - with MORTON! Let's all join David Collier on a cross country (in this case, Canada) rail journey and experience old school reality before it slips into the history books. We will be conveyed along our journey by train, the most civilized form of travel. We will experience the journey via comics, the most suitable form through which to communicate such an undertaking. And our pen & ink guide will be David Collier, who intuits the precise perspective.

Through a hard won personal process developed over decades of his artistic practice, Mark Doox has merged the respective iconographies of Byzantine Christian art and racist American art, effecting a strange transformation whereby each becomes the other as they become one. A large selection of the mixed-media artworks that have emerged from this practice have been assembled together with artworks created specifically for this volume and then accompanied by a series of self-authored texts, which serve the dual purpose of providing exigetical commentary on the artworks themselves and advancing arguments which the artworks then serve to...

edited by Ivan Brunetti Published by Yale University Press, this awesome anthology is a worthy successor to McSweeney's 13 as the must have comics collection of the foreseeable future. Editor, Brunetti goes all out to offer us a (OK, well, his) canonical assemblage with the 400 pages of comics here on display, where it is the form itself that is always at the heart of the work represented. The work we find here -- while, of course, being comics -- is also, at some level, telling us something about comics, and this latter value-added feature can be attributed in no small part to Brunetti's editorial approach in assembling this work, which...

Huzzah! Here it is: the third – and final (>sob<) – year of Herriman's inventive, insightful and very funny strip– which wrapped up pretty much exactly a century ago–that he drew concurrently with Krazy Kat!Starting off with another fine introduction by Jared Gardner, this volume takes us all the way to the end of the strip's run, which actually results in us getting a bit more that a year's worth this time around, as it ran through to January 18, 1919. Baron Bean is, for our money, Herriman's finest work outside of Krazy Kat, and IDW's Library of American Comics has done an outstanding job of presenting crisp, full size...
Incomplete Worksprovides, indirectly, an intimate, informative, entertaining portrait of the artist as a young cartoonist – who goes on to age gracefully and productively – with a large degree of creative independence – into marriage, fatherhood and middle-age (which is no small feat). It does so while simultaneously fulfilling its primary function of being a treasure trove of short comics of all stripes. Auto-bio, fantasy, literary, historical, humorous, scientific, and meta-physical comics can each be found here, all handledby Horrockswith dextrous aplomb. That he has been able to accomplish all this may have something to due with his...

Discipline, the latest comics work from Dash Shaw, has been in the works for over five years. Shaw set himself the difficult challenge of creating a calm, still work about war – specifically the American Civil War – one that would embody the Quaker ethos. Whereas most fictional depictions of war focus on strategy, technological prowess and valor on the battlefield, or, conversely, on the tragedy, absurdity and horror of war,Disciplinefocuses instead on the moral quandaries of war. These are approached within a philosophical matrix firmly grounded in the traditional Christian ethics of the Quaker faith, which hold, among much else, that one...

Beginning with the first impression – the juxtaposition of the book’s title, “Black Arms to Hold You Up” and its accompanying cover illustration of large, looming black arm(ament)s against a background of skeletons, between which the human actors are running in fear – it is clear right from the start that we are being presented with a multivalent and irony-rich agitprop work. It will be equally clear by the end that it is also a work capable of constructing new meaning through a masterful synthesis of image and text.
The phrase “to hold you up” in the title can have (at least) three possible meanings: 1) to physically hold you up, as in to...

The long awaited follow up toAbandoned Carshas arrived.The Lonesome Gois a giant oversize volume packed with more carefully placed ink lines than any book this side ofBlack Hole.Taking a hint from theLegend of Duluoz, St. Louis resident and Washington University lecturer, Tim Lane takes a turn down aLost Highway on aSavage Night, whereA Good Man Is Hard to Findand a sprawling chaos of comics ensues, recorded employing a visual lexicon that is partCharles Biroand partCharles Burnsand shines a light onthose parts of the American psyche that are usually left festering in the dark, allin the service of creating an acutely observed and fully...

Action and adventure comics simply don't get any better than this epic graphic novel by Jiro Taniguchi. Conceived of as an homage to the "spaghetti westerns" of cinema and bandes dessinée – especially the Lt. Blueberry series by Jean "Moebius" Giraud, Taniguchi outdoes them all in this tale of cowboys and indians... and samurai!
Sky Hawk is an historically accurate account of the post-civil war American west. As the railroads spanned the continent, an alliance (some might call it a conspiracy) of the railroad companies, the US government and gold hungry settlers of European ancestry pushed the Native American Indians off of more and more...

As the increasingly pervasive mediated reality in which we find ourselves here in North America, in all its ever-more-varying-(and dazzling!) forms, gradually gains ground in its encroachment on the natural reality that we had formerly, and throughout the entirety of human evolution, taken for granted, our sense of who we are and what constitutes appropriate behavior in the broad spectrum of human endeavor and social interaction, is undergoing a shift. Lucky for us, Dash Shaw is here to help us find our way with this insightful comics examination of the changes that are going on right behind our noses.

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Betsy and Joe began their careers in public television. Their recent filmmaking collaborations have a quiet, meditative style which is reflected in the shorts selected for this screening.
Betsy Seamans is a writer and filmmaker who makes documentary films about community and traditional life in the United States. She worked with Fred Rogers for over 30 years as script writer, actor and filmmaker for the MISTER ROGERS’ NEIGHBORHOOD program and to produce training materials related to children and community violence. For the past 15 years she and Joe have documented daily life in rural Tennessee. She received a National Endowment for the Arts award in 1971.
Joe is a documentary filmmaker by trade, working primarily for the Public Broadcasting Service since 1970 for series like the National Geographic Specials and NOVA for which his credits include producer, writer, and director of photography. Eight years ago, Joe began designing projections for theater and opera, primarily in Pittsburgh, where he has completed fifteen major productions.
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