In the full color pages of Inappropriate, her latest hardcover collection from Uncivilized Books, Gabrielle Bell delves into the porous borderland between fact and fantasy, a land populated by daydreams,conjectures, anxieties, obsessions, recollections, ruminations, self-doubts,self-incriminations and much more, all clearly communicated in her ever more confidently created comics.And then there is the collection's standout piece, "The original, true, biographical versionof Little Red Riding Hood," which sets the tale in an ahistorical New York City. Inappropriate isBell's best collection to date. Here, she has broken through to a more...

Here it is: the final (>sob!<) Peanuts strips by Charles M. Schulz, the last of which, the final Sunday page, originally appeared on the same day as Schulz's obituary, as he passed on from this world (and doubtless onto the Sphere of True Comics) the day before its publication. The editors cleverly filled out what would have otherwise been a slim volume by bookending the conclusion of Peanuts with the complete collection of Schulz's precursor strip to Peanuts, L'il Folks. And, to top it all off, this volume is introduced by none other than the President of the United States of America, Barack Obama! A fitting finale.

It is rare indeed when our opinion completely agrees with that of publisher provided cover hype, but in this case it does. The material that Will Eisner produced over a period of 20 years (!!!) for P*S Magazine is indeed, "the missing link between The Spirit and A Contract with God" as the cover states. The work contained in this 272 page hardcover volume has the highest critical-importance to critical-awareness ratio of any work we can think of. It represents the single largest unified body of work of one of the most admired creators in the history of comics, yet very few have read much – if any – of it. Now, thanks to Denis Kitchen, Ann...

Finally, another Gilbert volume in the updated format of the complete Love and Rockets Library collection.Luba and HerFamilymarks the tenth volume in the series. The 228 pages of comics in this volume encompass Gilbert's work fromMeasles#1 - 8,New Love#1 - 6,Luba#1 - 4 andLuba's Comics & Stories#1. Savor and enjoy.

WOW! Attilio Micheluzzi's crisp, pen & ink, black & white artwork here in the 144 pages of this full-size hardcover edition of The Farewell Song of Marcel Labrume is knock-your-socks-off good. It's part of lineage that starts with the fine line rendering of Hal Foster and Alex Raymond on the one hand and strong compositional skills of Milt Caniff and Noel Sickles on the other, and that falls exactly – perfectly – between Alex Toth and early Jaime Hernandez (who then combined it with much else, took it in another direction and made it all his own). The characters and stories are at times reminiscent of Howard Hawks, with a tough guy...

Street Angel is BACK... in print. Street Angel: Princess of Poverty is an expanded softcover reprint of the AdHouse hardcover from several years back, which was itself an expanded reissue of the Slave Labor softcover collection of several years prior to that. All three editions collect the five-issue run of the original black & white Street Angel series published by Slave Labor Press coming up on twenty years ago now(!), along with ever increasing amounts of bonus material. So, with each iteration, The Princess of Poverty gets bigger and better!

This volume is, thus, the biggest and best yet! It includes everything in the previous...

Sky in Stereo started out life in a series of digest-size, pamphlet comic books which were then collected with additional material as Volume One. Now, at last, we have the long awaited conclusion to (Sacha) Mardou's graphic novel of growing up in a nameless British location (that likely bears more than a passing resemblance to the Manchester of Mardou's own youth).

While all children must cross thesea of adolescence to gain the continent of adulthood, eachmakes their own personal and unique crossing, and while some find this crossingrelatively smooth, others may encounter stormy seas. Here in the pages of the second and final volume ofSky...

This Giant-Size Special comic book (or graphic novel, if you prefer), is a mash-up of the famous D¡sn*y funny animal family and Charles Biro's Crime Does Not Pay comic book series that has been created with the "anything goes" spirit of classic underground comix, and that really does the job; it is – amazingly, fantastically, incredibly – successful. Cramming every classic noir trope into one non-stop roller coaster narrative, Michael Mouse is a rollicking radical read that runs through 69 1/2 pages of full color comics, employing a merciless 12-panel grid without let up; there is no pause, no chance to catch your breath; it just goes.

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The Ganzfeld is a true one-of-a-kind publication and #3 is by far the best issue yet. It shouldn't really be under the comics listing, but as it is truly uncategorizable, this is as good a spot as any. The editors once again bring together a unique group of designers, illustrators, cartoonists, and artists in a coherent, strongly designed format. It features a unique collaboration between Rick Moody and Fred Tomaselli; a new picture story by designer Geoff McFetridge, and even an illustrated essay by Alfred Hitchcock. Lengthy comics and picture stories are contributed by an international group, Renée French, Ron Rege, Jr., Blexbolex, Brian...