Originally published in 1960 and out of print for many years, The Labyrinth is Saul Steinberg's most significant single volume collection. It has now at long last been reissued in a this superb hardcover edition from New York Review of Books, whichfeaturesa new introduction by Nicholson Baker, along with anafterword by Harold Rosenbergandnew notes on the artwork from by Sheila Schwartz, the Research and Archives Director of The Saul Steinberg Foundation. Steinberg's oeuvre is unique, straddling the worlds of comics, illustration and gallery art whileproviding a window on the process ofcreative thought in line.

Here at Copacetic Comics, we've long been fond of calling Hicksville "the Watchmen of small press comics." This is useful in that practically all comics readers are familiar with and have positive associations with The Watchmen, and we feel that Hicksville is a similarly ambitious, successful and important work, and so is one that we like to draw attention to, and comparing it to the Watchmen is a cheap and easy way to do so. Whether or not this is a good, right or fair thing to say in regards to to the themes and content of the respective works, we're not going to try to defend. The comparison's validity rests more on a historical point...

It is rare indeed when our opinion completely agrees with that of publisher provided cover hype, but in this case it does. The material that Will Eisner produced over a period of 20 years (!!!) for P*S Magazine is indeed, "the missing link between The Spirit and A Contract with God" as the cover states. The work contained in this 272 page hardcover volume has the highest critical-importance to critical-awareness ratio of any work we can think of. It represents the single largest unified body of work of one of the most admired creators in the history of comics, yet very few have read much – if any – of it. Now, thanks to Denis Kitchen, Ann...

The plot thickens, the mystery deepens, the pace is picked up and no holds are barred in this, the third issue of the most innovative comic book series in America. While other comic books tout their "new" plot twists and "new" characters and "new" concepts, the comics they produce are, formally, all the same, maintaining the tried and tired industry status quo. Cold Heat is authentically different. Creators, BJ and Santoro understand the conventions under girding the standard comic book format and deftly undercut them, subverting the implicit conservatism of these conventions by exogamously marrying them to an entirely different, diverse...

Wow! The first issue of Liz Suburbia's newseries, Egg Cream, is a knockout! Her crisp,confident line in combination withartfullybalanced blackspottingcreatescomics that come alive in smartly arrangedpanelsfillingone well-composed page after another– 96 pages in all – in this squarebound volume ofall new comics work;printed just right in black and white on newsprint with cardsrtock covers.Startingoff with a hefty installment of the follow up,second volume of Sacred Heart, and concludingwith thegraphically advenutrous "Goth Ex GF,"Egg Cream is easily the best new series yet seen in2019!

Anyone unfamiliar with Liz Suburbia can get an idea not...

Yes! The latest volume in the epic 30-volume Carl Barks Library has arrived. This one is perhaps the most riotous volume yet, filled with more fun-filled antics than any other yet published. This is due in no small part to Fantagraphics' decision to follow the stories that make up Donald Duck No. 26 -- one of the last wholly by Barks -- which includes the title track "Trick or Treat", with a whoppingfourteen consecutive classic 10-pagers! Originally published in a stretch that ran from late 1952 through 1953, these 10-pagers are filled with the comedic splapstick antics that Barks arguably did better than anyone else in comics, ever, and...

This is perhaps the longest awaited work in the history of comics (No? Let us know what, in your estimation, beats it.). Over ten years in the making, Mazzucchelli's first ever solo graphic novel is also his first major work since his 1994 graphic adaptation of Paul Auster's City of Glass, a trailblazing, highly influential work which put him at the forefront of the then nascent "serious" graphic novel movement. David Mazzucchelli's work with Frank Miller in the mid-80s -- Daredevil: Born Again and Batman: Year One -- made him amainstream comics superstar, but then he walked away from it all to pursue his own calling of an independent,more...

It took us a minute to get this one in, due to screwball comedy hi-jinx. At long last, Saul Steinberg's first book, from way back in 1947 (?) is back in print in this luxe oversize hardcover edition fro NYRB, who have this to say about it:

"To escape fascist Europe, the artist Saul Steinberg drew his way to America. He made it to New York in 1942 already in contract with The New Yorker, but was soon called up to serve in the US Naval Reserve in World War II. This book, All In Line, is a memoir-via-drawing of this key time in Steinberg’s life, when he began to find his line and his way as an American.

In works for The New Yorker and...

The much anticipated first collection by up-and-coming-new-comics-champ, Kevin Huizenga is at last on our shelves. Its arrival may, however, signal the end of Huizenga's status as an up-and-comer, and initiate his ensconsement in the ranks of established contemporary masters of comics. This volume brings together a wide range of Huizenga's work from a wide variety of sources. It starts off with a little known (well, not to long time Copacetic customers) gem from the Orchid anthology published by Sparkplug Comics, titled, "Green Tea." It is adapted from a classic Victorian horror story of the same name by Sheridan Le Fanu, but is given the...