It's here! The new volume of comics pedagogy by The Funnest Teacher in the World, Lynda Barry! As most watchers of this space are likely already aware, Ms. Barry was recently awarded a MacArthur Fellowship (aka "the genius award").Making Comicsprovides further evidence that this award was well deserved.

This much anticipated follow up to her previous work,Syllabus, also based on her experiences teaching at the University of Wisconsin, follows the same format, using it to dig deeper into the cave of creativity. In the 200 pages of this facsimile composition bookwe leave the safe,well defined confines of the symbolic realm and are...

Whether the point of this novel is to show us the adult that lies latent in the child or to reveal to us the child that the adult never manages to quite fully outgrow is a question that is difficult if not fruitless to answer. What is certain, however, is that the novel Edwin Mullhouse is brilliantly conceived. It is also shockingly well written, replete with uncannily accurate descriptions of childhood perceptions that can at times be overwhelmingly sympathetic. It is at turns funny, sad, insightful, and even profound; but above all else, it is deeply creepy: It reveals -- almost imperceptibly at first, but then slowly, incrementally, the...

This collection of works from the early 1980s by Millhauser starts off with August Eschenburg, a prototypical tale which serves as the template for several later Millhauser works, most notably Martin Dressler (see below). The middle section is composed of three stylistically linked forays into the classic short story mode, each of which stages an elaborate wedding of location with season to produce an exquisite evocation of an exact yet unnameable emotion, and each of which manages to pull it off. The stories that will really having you reaching for the champagne to celebrate their success, however, are the three that close out the volume,...

<<•>> edited by Alex Spiro; introduction by Paul Gravett <<•>> art by Stuart Kolakovic, Mikkel Sommers, Brecht Vandenbroucke, Luke Best, Rob Hunter, Jon McNaught, Ben Newman, Andrew Rae, Luke Pearson, Jack Teagle, Jon Boam, Jakob Hindrichs, Clayton Junior, Daniel Locke, Isabel Greenberg, Mike Bertino, Nick White, Rui Tenreiro, Sean Hudson, Luc Melanson, Katia Fouquet, Yeji Yun, Matthew Lyons & Liesbeth De Stercke <<•>> The fine folks at the London-based NoBrow Ltd. have produced their first anthology, and it's a doozy! Editor, Alex Spiro has assembled twenty-four artists and, with a nod to The Book...

Now's your chance to get – or give – the two works upon which rests Jason's US reputation – "Hey, Wait!" and Ssshhhh – along with the long out of print and up-until-now-mega-pricey, The Iron Wagon. All three works in an attractive hardcover omnibus for significantly less than the retail cost of the original softcovers. If there is still anyone reading this who has yet to discover the pleasures of Jason, this is the perfect place to start.

Seventeen years in the making... it's Marc Sobel's mightily researched, heavily sourced, profusely illustrated, in-depth, from-soup-to-nuts study of the original run of the one-and-only Love and Rockets!

This 344 page, 8" x 11", French-flapped softcover is filled to the brim with not only the comics and art of Jaime, Gilbert and Mario Hernandez, but also illustrations of a wide variety of their inspirations – primarily comics of all sorts, but also movies, music and more – which serve to illuminate their pathway from culture consumers to culture producers, along with a healthy helping of photographs that show them at varioius points along...

This is perhaps the longest awaited work in the history of comics (No? Let us know what, in your estimation, beats it.). Over ten years in the making, Mazzucchelli's first ever solo graphic novel is also his first major work since his 1994 graphic adaptation of Paul Auster's City of Glass, a trailblazing, highly influential work which put him at the forefront of the then nascent "serious" graphic novel movement. David Mazzucchelli's work with Frank Miller in the mid-80s -- Daredevil: Born Again and Batman: Year One -- made him amainstream comics superstar, but then he walked away from it all to pursue his own calling of an independent,more...

It's time to let the good times roll - with MORTON! Let's all join David Collier on a cross country (in this case, Canada) rail journey and experience old school reality before it slips into the history books. We will be conveyed along our journey by train, the most civilized form of travel. We will experience the journey via comics, the most suitable form through which to communicate such an undertaking. And our pen & ink guide will be David Collier, who intuits the precise perspective.

Underground comix live! Gary Panter's Crashpad is a classic old school underground comic book that is a comic book about old school underground comic books: what they were, what they are, what they mean, where they come from, where they're going. Did we mention acid? Cover to cover comics; every line drawn by Panter; 36 pages. Black and white interior art on heavy newsprint. "Gain intuition to the endless play of becoming free."

ONE COPY

And here's another reason to get up in the morning: a new release by Kevin H. This one is fairly convoluted in its conception and execution, but therein lies part of its appeal. Wild Kingdom had its humble beginnings in Super Monster 12 that was first published way back at the dawn of the millennium. This material was then bolstered and slightly reconfigured for the February 2006 release of the fourth issue of Or Else, his since discontinued Drawn & Quarterly series. And, now with Wild Kingdom, the material at last receives its apotheosis. The core meaning of Wild Kingdom is surrounded by a dense underbrush of irony that must be...