Yes, it's true! Another new comic from Dan Zettwoch! Redbird #4 is a self-described objet d'art. The entire book has hand pulled screen printing -- in red, naturellement! -- over a laser-printed black line background, this 8-page mini-comics is an ode the "Adult Woodpeckers of Eastern North America" that stands to be equally appreciated by Zettwoch fans and bird watchers alike, but will be a special treat to those long suffering fans of Zettwoch's Cut-Away Comics.

BACK IN STOCK for 2026!

Aptly referred to as "the B-SIde to Shakespeare's Romeo and Juliet", Ronald Wimberly's Prince of Cats pulls off quite a feat: successfully reimagining the world of Romeo and Juliet in an hepper-than-hep 1980s NYC where hip-hop and punk exist side-by-side andduels are settled with Samurai swords. The story here centers and pivots on the figure of Tybalt, with Romeo and Juliet as supporting cast. The art is dynamic, colorful and perfectly captures the mood while doing an amazing job of visually transcribing the throbbing soundtrack of the streets, train tracks, nightclubs, tenements, alleyways, nightclubs, bedrooms, offices, backrooms and...

Here's the one Copacetic customers have been ringing the phone off the hook about. And not without reason. Each issue of Ganges has managed to make something new with the comics form. Huizenga pretty much picks up here where #3 left off – it may very well be the very same evening, diegetically speaking – and continues exploring the twilight zone of consciousness that lies between waking and sleeping, where memory and fantasy mix with all kinds of thought: this time around, from list-making to self-analysis to pondering the nature and meaning of being and time and space and... well, you get the idea. Ever the innovator, Huizenga has here...

When we learned that New York Review Comics was planning a new edition of two of Vaughn-James's other major works from the 1970s (Elephant and The Projector), we felt it was high time to bring this work, which we've been selling the shop for quite awhile(whenever we can get our hands on some copies!),to the attention of our online customers. Originally published in 1975, asa hardcover edition of 1500 copies by Toronto'sCoach House Press, The Cage was reissued in 2013, againby Coach House, in a softcover edition. Vaughn-James had a unique approach to, as well asa clearly prescientvision of, long form visually-centered narrative. Among his...

(Book Three in the New Edition of the collected Love and Rockets) Yes! The next two volumes in the fantastic new packaging of the One True Classic of Modern American Comics have arrived ahead of schedule. We can hardly believe it, but are pleased to report that these two are, if possible, even more wonderful than the first two. The Girl from H.O.P.P.E.R.S. contains the long out of print Death of Speedy in its entirety along with so much more greatness. Should you be looking for a good entry point into the world of Love and Rockets for yourself or another, look no further! Start here.

Currently/temporarily out of print, but we still have a...

The professor is back and class is now in session! From the moment you lay eyes on this anti-professorial text book disguised as a student's composition book (which, of course, it also is; as Lynda Barry is nothing if not a life-long learner) you know you are going to be in for a treat. You know this book is going to be different. You know that you will gradually realize that you don't know. At the outset, Barry(self-designated as Professor Long-Title)states thatSyllabusis, "a book of notes, drawings, and syllabi I kept during my first three years of teaching in the Art Department at the University of Wisconsin-Madison. The chronology is...

We've been selling Starstruck in one form or another since 1980, but were so used to hand-selling it that it didn't occur to us to put it onto our site... until now!

A long-time Copacetic favorite (that was, before that, a BEM favorite), Starstruck is the comics space opera par excellence! Lee and Kaluta's wacky, hi-jinx, freewheeling approach to story and relative unconcern with narrative cohesion (riffing, to some degree, on Gravity's Rainbow by Thomas Pynchon) – along with its non-linear approach to time – it has been printed in multiple arrangements and different orders without deleterious effect – allowed a truly epic scope for...

We've only just cracked this open here at Copacetic, and even though we can't deliver our report on it just yet, we want to get it up on the site for all those who were wowed by Yearly 2018 and want to start digging in to this year's installment, especially given that there's quite a bit to dig in to this time around: 80 magazine-size (8 1/2" x 11") pages.

IMPORTANT NOTE: This issue originally included a 32 page, full color, 5" x 5" insert. The copoies we are currently selling DO NOT include this insert. But we ARE offering them for 1/3 off as a result, AND they come with original quickie mini-sketches by Andrew on the back cover :)

We've...

Wow, a double dose of Ron Regé, Jr.! (along with YH #12, which was released simultaneously) This one is technically Yeast Hoist #(lucky)13. It is a beautifully drawn, designed and produced square format volume. Printed in two colors with a full color flexi cover and endpapers this book is an aesthetic treat and a bargain to boot. Ron Regé, Jr. is channelling the spirit of the 20th century American painter, Charles Burchfield into 21st century comics. Like Burchfield's paintings, Regé's comics in this volume fill the viewer/reader with a sense of wonder at the impossible beauty and strange otherness of nature. His work really puts you...

And while we're talking about learning more about the world around us, here's a book of historical reportage in comics that helps us come to understand how things got to be the way they are. The ever-fascinating David B. takes his readers on an unexpected voyage through the waters of history in this informative, educational and timely volume co-piloted by Jean-Pierre Filiu. As readers of B.'s breakthrough masterpiece, Epileptic already know, he is quite adept at depicting scenes of warfare, and, what's more, in doing so in a way that reveals otherwise hidden forces at work below the surface of the battlefield. David B. masterfully employs...