Back in print in this newDrawn and Quarterly hardcover edition!

Lynda Barry's art has never been more rich and satisfying than it is inOne Hundred Demons, the landmark 2002 book which represented a formal and stylistic breakthough not only for Ms. Barry, but for the world of comics as well. The work she has created for this beautifully printed volume features a layered bricolage that is undergirded by confident brushwork and an intuitively intimate color sense. All of it is solidly welded to an amazing and joyful sense of play in the service of a universalized personal revelation. Taken together, it makes for an unforgettable reading...

FROM THE ARCHIVES

ONE very nice, as new,ex-library copy. This cover has been laminated and the spine has been stickered; also a blacked-out barcode on back cover; plus a library stamp on the front endpapers and title page. Other than that, clean and apparently unread. Here's a chance to snag this coming of age classic for less!

–––––––––––

Five years in the making – by the team that brought you the Certified Copacetic Classic, This One Summer – Roaming is a triune portrait of youthful awakening into the dawning of adulthood. Over the course of its over 400 pages, the Tamakis weave layer upon layer of exuberence, curiosity and experience...

Here it is, the book that put Katchor firmly on the map when it was first published in 1996. While he has been regularly producing comics in and about NYC since the 1980s, and had already had one collection –Cheap Novelties– published by Penguin (and recently reissued by D & Q),Julius Knipl, Real Estate Photographeris the book which finally attracted the attention that Katchor’s work had long deserved. Katchor’s pen and ink (and ink wash!) comics create a parallax lens which show a reality that is invisible to others, that transports readers through a crack in the surface of “reality” to reveal a magical series of vignettes that seem –...

While he does, of course, have a number of major book projects under his belt, going all the way back to the immensely influential late-1990s work, Skibber Bee Bye, along with numerous contributions to a wide range of anthologies, for thirty years and counting Ron Regé, Jr. has been preaching the gospel of hand-made, self-published comics, and the personal salvation to be found in the practice. In the process, he has emerged as one of the truest disciples of William Blake, carrying forth the Blakean spirit into the comics realm. Since 2016 this practice has been flowing through his most sustained self-publishing project yet, The Shell of...

Tillie Walden's long in the works and hotly anticipated coming of age story has arrived. In the pages of Spinning, Tillie Walden provides a first person window into the world of competitive figure skating. One of the western world's many subcultures,figure skating is like the proverbial iceberg which is carried alongbythe ocean of the dominant culture:all that most of ussee is the tippy top that appears on television during national and international competitions, while9/10 is submerged and hidden from site to all but those directly involved – until now. It is a world populated largely by girls.Manyof whom, as revealed here, enterit at the...

Picking up, more or less, where Ganges left off, Kevin Huizenga's new series, Fieldercontinues to map new worlds for comics. The issue opens up – after an intriguing symbolization of the nature of thought on the inside front cover – withBona, a deconstructive remix of Sam Glanzman’sKona(which featured, improbably yet likely, scripts by Lionel Ziprin), published by Dell in the early 1960s. This story, which is bifurcated, with another, earlier part of the story appearing later(!) in the issue, highlights formal aspects of classic comics narratives while simultaneously reflecting on their generic tropes and the cultural milieu that produced...

Here it is: the final (>sob!<) Peanuts strips by Charles M. Schulz, the last of which, the final Sunday page, originally appeared on the same day as Schulz's obituary, as he passed on from this world (and doubtless onto the Sphere of True Comics) the day before its publication. The editors cleverly filled out what would have otherwise been a slim volume by bookending the conclusion of Peanuts with the complete collection of Schulz's precursor strip to Peanuts, L'il Folks. And, to top it all off, this volume is introduced by none other than the President of the United States of America, Barack Obama! A fitting finale.

Yoshiharu Tsuge’s The Man Without Talent is simultaneously an elegy and a critique of a way of being, but most of all it is an immersive experience not to be forgotten. As in much of his work, Tsuge allows his own experiences to inform the tales he created for The Man Without Talent, and doing so clearly served to amplify the degree of verisimilitude and lifelikeness of the people, places and episodes depicted (and seeimngly, but perhaps ironically, simultaneously provides a commentary on the creator's sense of self worth).

Tsuge dolefully, yet expertly, conjures up a vivid world of misfits and oddballs living on the edge of society in...

Anyone on the lookout for intellectually stimulating, æsthetically challenging work – regardless of the form it takes – should be sure to investigate the comics of Dash Shaw. Shaw is a sophisticated visual thinker and natural experimenter unconstrained by generic conventions or audience expectations. In Doctors, soap operatic melodrama mixes freely with science fiction concepts (Philip Jose Farmer / Philip K Dick) and both are together presented to the reader with a bold decisive formalism that simultaneously brings to mind painters such as Hans Hoffman and filmmakers like Jean Luc Godard. The final product is in intriguing investigation...