
As the increasingly pervasive mediated reality in which we find ourselves here in North America, in all its ever-more-varying-(and dazzling!) forms, gradually gains ground in its encroachment on the natural reality that we had formerly, and throughout the entirety of human evolution, taken for granted, our sense of who we are and what constitutes appropriate behavior in the broad spectrum of human endeavor and social interaction, is undergoing a shift. Lucky for us, Dash Shaw is here to help us find our way with this insightful comics examination of the changes that are going on right behind our noses.

Golden Boyis an exuberant portrayal of the early, formative years of the object of thePeanutscharacter, Schroeder’s obsession, the German composer, Ludwig van Beethoven. Originally published in Germany in 2020, it has now been released in North America in an English translation by Nika Knight that well captures the spirit and style of the original German. This attractive, 192 page, full color, hardcover edition comes to us courtesy of Fantagraphics Books. It is by turns fascinating, fun, insightful, entertaining and altogether hugely enjoyable.
Mikael Ross, whose previous work from Fantagraphics,The Thuddisplayed a highly developed level...

Yes, Cold Heat #4 is still in stock, and it's a doozy. Disparate and heretofore disconnected aspects of the storyline are joined together as some puzzling pieces of the plot are put into place. We don't want to give too much away here, but suffice it to say that some things have turned out -- surprise! -- not to be what they seemed. Lovers of cosmic mysteries and mighty metaphors will find plenty of food for thought this time around, and thrill seekers should find what they're looking for as the intensity is ramped up a notch or two. Santoro's art really shines this issue as he continues to bring a world beat of styles and perspectives to...

Boundless is a 248 assemblage composed of ninetales: World Class City;Body Pods;The Clairfree System;1. Jenny;Half Life;Darla!;bedbug;Sexcoven;Boundless. Each is possessed of itsown individual artistic personality, chosen to best visually convey the character of the story:rough and ready;smooth and silky;precise;loose;colorful;stark. Here, the real story is the way in which the taleis told. Decision embodied in line and composition.
Each of the pieces, while being a unique organic whole in and of itself, is part of a greater whole as well; part ofa tapestric unity. These stories deal with individuals alone, together and in groups. They...

FROM THE ARCHIVES
A run of nine consecutive volumes of Ranma 1/2 by one and only Rumiko Takahashi. Ranma 1/2 is a true classic manga series, whose influence on subsequent shoojo manga is hard to overstate. It also offers a wealth of humorous observations on gender norms and gender construction, to boot!
We came across this run in the archives; all new and unread. If there's anyone who picked up the first volume and is ready to read more, this is a perfect opportunity to do so!

Summerland is a unique piece of comics work, one which turns the typical creative hierarchy on its head, with the coloring in the dominant position, followed by the inking, then pencilling, and with the scripting tacked on almost an afterthought. The boldly inked lines are minimal yet effective in delineating the scene, and to brace the colors and let them do their stuff, and what they do here is something new. In the pages ofSummerland, Ms. Dawkins has improvised an innovative approach to color, one in which she "plays" the color scheme using tone clusters and chords, rather than the normative approach of hitting single notes and then...

The long (as in a decade) out of print, first D & Q collection of comics maestro, Kevin Huizenga's work, Curses is now at last back in print in this very nice French-flappped softcover edition – that includes 40 additional pages, including an appreciation by noted comics authority, Douglas Wolk.
Revisiting this thematically and formally interlinked collection of short to mid-length comics after close to twenty years, the first thought it how current, even prescient they seem. The social, political and personal observations feel as fresh and pertinent now as they did then. Huizenga's long running concerns with temporality, scale and...

With Jack's Book, Gifford and Lee launched the oral biography as a valid form(there'd be no Please Kill Me without it), and arguably created what remains its gold standard. Here you have a portrait in the round of the central figure of "the beat generation" (who hated that label) provided by all the other players who were in his circle during the two decades of his writing career. William Burroughs, Allen Ginsberg, Carolyn Cassady, Gregory Corso, Lawrence Felinghetti, Gary Snyder and many more herein provide thoughtful, forthright recollections of Kerouac, his scene and the times in which they mixed. Gifford and Lee weave them together...


Picking up where the first issue left off, Cold Heat #2 revs it up a few notches and takes us on a whirlwind ride through the dis-united states of the disturbed American psyche. Series artist, Frank Santoro once again refuses to play it safe. This time around he pulls out all the stops and takes the chances that most other artists wouldn't take even if they could. Leaping into the artistic no man's land between the well established borders of pre-existent genres, Santoro combines the propulsive narratives of mainstream American heroic adventure comics, the exaggerated expressiveness of Japanese manga, and the naivete of self-published...
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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