
Here at Copacetic Comics, we've long been fond of calling Hicksville "the Watchmen of small press comics." This is useful in that practically all comics readers are familiar with and have positive associations with The Watchmen, and we feel that Hicksville is a similarly ambitious, successful and important work, and so is one that we like to draw attention to, and comparing it to the Watchmen is a cheap and easy way to do so. Whether or not this is a good, right or fair thing to say in regards to to the themes and content of the respective works, we're not going to try to defend. The comparison's validity rests more on a historical point...

[cue Strauss's Also Sprach Zarathustra] Yes, after long journeying through the comicsphere, it has finally arrived in book form ... Longboxes! (Volume One) Close to four years in the making, this 288-page compendium – with page dimensions that are close to exactly halfway between an issue of Grixly and an issue of a standard modern comic book – includes all officially designated "Longboxes" comics from Grixly #50 - #68 (And, yes, you are correct, #67 & #68 have not yet been released), along with ten pages of earlier precursor comics, from earlier issues of Grixly, that foreshadowed the coming of Longboxes – plus an even dozen bonus...

by Anneli Furmark, Amanda Vähämäki, and T. Edward Bak We listed this last month, but in our haste neglected to write it up, a gross oversight on our part, as you will see... This volume has a special Scandinavian focus, with two of the three comics works originating in the somber lands of the midnight sun. A melancholy northern mood pervades the entire collection, including its centerpiece, the contribution of the lone North American, T. Edward Bak. The Partisan -- his first fully developed work since Service Industry, the work for which he is best known -- is a complex multi-layered work that (or, at least, so it seems to us) seeks to...

Final Cut presents – for the first time in English – Burns's latest major work, that had up to now only been available in the French language editions published by Cornelius under the title Dédales. All three Cornelius volumes are collected here in an elegantly designed and produced, 224 page, full color, clothbound hardcover volume by Pantheon Books. Very Nice.
Anyone familiar with the work of Charles Burns will not be surprised to learn that Final Cut is a multi-levelled work; that there are layers within layers. Even the title, which has an obvious first level meaning, is open to multiple readings. The action is set, as per usual with...

It's here: the last piece of the Spiegelman puzzle.Co-Mixpublishes an vast career-spanning array of Spiegelmania; taken together with the recently (re)publishedBreakdowns, it brings (back) into print the vast majority of Art's miscellanea: short pieces, comix, prints,New Yorkercovers, etc. While the wide world knows him almost solely through his perennial best-seller,Maus, within the world of comics his influence has been felt more through the works contained here. This book serves double duty as the catalogue for the exhibition of the same name that was produced by 9eArt+ for the 2012 Angoulême comics festival, and which, after travelling...

Long – and criminally! – out of print, Howard Cruse's epochal work of long form comics, Stuck Rubber Baby,one of the most significant early North American graphic novels – and among the first to truly merit the label – is at last back in print in this deluxe hardcover edition from First Second that has been released to celebrate the 25th anniversary of its initial publication – an anniversary that Cruse did not get to celebrate himself, having passed away late last year (but he was involved in the preparations for this edition, and so, of course, knew it was coming, thankfully). This edition includes over 20 pages of bonus materials, much...

With the arrival of this, the second issueof the series, it becomes clear that the first was but a prologue. Here, in the 88 full color pages ofUnsmooth #2: BUM, E.S. Glenn opens up new portals and reveals previouslyunseen dimensions of what will henceforth be known as the Unsmooth Multiverse. Enmeshed within an encompassing framework of ligne claire bande dessinée, readers will encounter mechamanga (along with a snatch of horror hentai)– plus sub-titled anime videos – New Yorker cartoons (and anold school Penguin paperback), cartooned modern art (along with some graffiti),some classical, newspaper Sunday-pagestrips,photobooth strips,and...

The definitive account of the early jazz scene -- and so much more...
An unforgettable reading experience that opens new perspectives on American history and cultural life.
Now, at last, back in print from New York Review Books!
RECOMMENDED

This Giant-Size Special comic book (or graphic novel, if you prefer), is a mash-up of the famous D¡sn*y funny animal family and Charles Biro's Crime Does Not Pay comic book series that has been created with the "anything goes" spirit of classic underground comix, and that really does the job; it is – amazingly, fantastically, incredibly – successful. Cramming every classic noir trope into one non-stop roller coaster narrative, Michael Mouse is a rollicking radical read that runs through 69 1/2 pages of full color comics, employing a merciless 12-panel grid without let up; there is no pause, no chance to catch your breath; it just goes.
...

WOW!!! It's here and it's a dream come true. Founding editor of Comic Artmagazine, Todd Hignite has given us an elegant, oversize, beautifully produced, 320 page hardcover book that takes you into the studio and collections of today's top independent cartoonists. Featuring tons (499, to be exact) of reproductions of the highest quality, depicting the original art, personal collections and physical environs of R. Crumb, Art Spiegelman, Gary Panter, Charles Burns, Jaime Hernandez, Dan Clowes, Seth, Chris Ware and Ivan Brunetti side by side with extensive interviews with the creators themselves, this is a book to savor. Todd Hignite is a...
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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