
This book presents the strongest of David Collier's work and is one of our perennial best-sellers here at Copacetic. It is filled with extremely engaging stories of the lives of minor, obscure and offbeat Canadian figures. Some of these are full fledged biographies, such as the fascinating account of Humphrey Osmond, the Canadian scientist who was an early researcher into psychotropic drugs and reputedly coined the term "psychedelic." Then there's the life story of Ethel Catherwood, the Olympic high jumper known as the Saskatchewan Lily, who ended up obscure and reclusive. A more tightly focused tale is that of "Grey Owl," an enigmatic...

Fielder #3 is the comic book as meaning making machine. It is, literally, cover-to-cover comics –38 pages worth – and, not only that, there are two front covers; so, in one sense, it is actually two comics that meet in the middle.
There is so much COMICS here. It could also be said to be a comic book about what a comic book can be. Like, “look at all these different ways to approach the medium: you can do this, and that – and this, and that; and if you combine this you can do that –and if you add that you can do this. And you could draw it this way, or that way, or a combination of the two… and/or…"
There are six distinct sections plus an...

This collection of works from the early 1980s by Millhauser starts off with August Eschenburg, a prototypical tale which serves as the template for several later Millhauser works, most notably Martin Dressler (see below). The middle section is composed of three stylistically linked forays into the classic short story mode, each of which stages an elaborate wedding of location with season to produce an exquisite evocation of an exact yet unnameable emotion, and each of which manages to pull it off. The stories that will really having you reaching for the champagne to celebrate their success, however, are the three that close out the volume,...

This 320 page, full color, 8 1/2" x 12" hardcover volume is a fantastic collection of some of the finest prints ever produced. It presents full-page, full color reproductions of all 118 of Hiroshige's Edo prints, along with copious notes, supporting illustrations and an appendix of reduced-size, "thumbnail" reproductions of the numerous variations among the different versions of the print editions; hundreds in all.
Amazing! Recommended! Deal!
Here's from the publisher:
A landmark book presenting the early "deluxe" versions of Hiroshige's Edo prints for the first time!
Utagawa Hiroshige's unique landscape series One Hundred Famous Views...

Boundless is a 248 assemblage composed of ninetales: World Class City;Body Pods;The Clairfree System;1. Jenny;Half Life;Darla!;bedbug;Sexcoven;Boundless. Each is possessed of itsown individual artistic personality, chosen to best visually convey the character of the story:rough and ready;smooth and silky;precise;loose;colorful;stark. Here, the real story is the way in which the taleis told. Decision embodied in line and composition.
Each of the pieces, while being a unique organic whole in and of itself, is part of a greater whole as well; part ofa tapestric unity. These stories deal with individuals alone, together and in groups. They...

Sub-titled, "July 1, 1916: The First Day of the Battle of the Somme",The Great Warpresents in a single image a visual distillation of the events of that day. While this is not the first 20+ foot-long single image comics book that has come our way – that honor going to Helge Reumann and Xavier Robel's hyper kineticElvis Road, originally published in Switzerland in 2002 by Pipifax, and then in the USA by Buenaventurra Press in 2007. But whereas Elvis Road presented a frenzied instant of urban chaos that was unreadable – in the sense that there was simply no way to narratively digest the complexity of the image; all one could do was bask in...


Believe it or not, it's been over twenty years since the publication of Understanding Comics, which established the breakthrough realization that the most effective way to truly explain how comics work is in comics form. Now, at last, we have the next iteration of this understanding: that the most effective way to explain how comics presented here as consciously thinking and writing and, of course, reading — in a free flowing combination of images and text — are changing the way we represent our world and understand ourselves is also in comics form. Unflattening, just published by Harvard University Press, is the book form of Sousanis's...

by David B. This comics tour de force, one of the greatest graphic novels yet produced, is now available in a fine, French-flapped softcover edition that's a true value.
How's this for value: the complete 360 page graphic novel in hardcover for the same price as the 160 page Book One in softcover issued by Fantagraphics a couple years back? Not only that, but this edition completes Kim Thompson's excellent translation that he started for Book One. Originally published in six volumes in France between 1996 and 2004, this edition represents the first time the complete story has appeared in English. As readers of David B.'s recently released...

Whilethis book has been enthusiastically soldin ourshop since shortly after its publication, we now feel thatitshould also be offeredhereas well. The single most important work of history to arrive at Copacetic during the course of its operation, Stamped from the Beginning is a tour de force that will foreveralter our views of the history of race – and racial relations – in America, first and foremost, but, ultimately, throughout the entire world. It’s author, Ibram X. Kendi has written a book that embodies atrulyrare combination of abilities: that of the dedicated, focused, rigorous research needed to marshalhistorical facts; that of the...
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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