Julia Gfrörer has honed the blade of her gothic comics to a fine, sharp edge, and in the pages of Vision she grips its haft firmly and plunges it deep within, mingling sex and death in 90 pages of comics arrayed in a relentless 9-panel grid.  Gfrörer's pen is, here, the sword, and she employs it to first delineate then cut through the borders between light and dark, night and day, flesh and spirit, and, ultimately, life and death, as they existed in the world of the privileged class, before Freud...