<<•>>  edited by Eric Reynolds and Gary Groth  <<•>>  The obvious highlight of this issue for us here at The CCC is the new Cold Heat story by the team of Frank Santoro, Ben Jones & Jon Vermilyea.  In addition, we have on hand:  the furiously productive Dash Shaw, who translates an episode of "Blind Date" into comics form; the second chapter of T. Edward Bak's "Wild Man - The Strange Journey - and Fantastic Accounts - of the Naturalist Georg Wilhelm Steller, from Bavaria to Bolshaya Zemlya (and Beyond)"; new work from Renée French (who is also responsible for this issue's front and back covers); an all-new “Funny Bunny” strip by the rarely seen (in comics, anyway) Archer Prewitt; “The Moolah Tree”, a new Fuzz & Pluck graphic novel from Ted Stearn, begins it's serialization here; the MOME debut of Nicholas Mahler – "What Is Art?" (translated by Kim Thompson); and new stories from Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, and Sara Edward-Corbett, with incidental drawings by Kaela Graham.  Get a PDF preview, HERE.

This issue is a mix of oldtimers and newcomers:  rugged MOME veterans, Andrice Arp, Paul Hornschemeier, Ray Fenwick, and Tim Hensley deliver a basket full of tales, each in their own inimitable manner, and, in Hensley's case, his last (at least for the time being) as his triptych concludes the long running (since MOME #5) saga of Wally Gropius; medium-term MOMErs, Dash Shaw, Sara Edward-Corbett, Conor O'Keefe, Robert Goodin and Nathan Neal each provide readers with memorable reads, with Neal turning in his strongest narrative yet; and Gilbert Shelton and Pic conclude their tale of rock 'n' roll at the world's edge.  And then we have the newcomers:  T. Edward Bak debuts here with the first chapter of his work in progress, Steller, as do Noah Van Scriver and noted Spanish cartoonist, Max, whose contribution is a nice, neat 16-page mini-comic that is precisely positioned (and presumably removable – although it's readable while in place) after the last page.  All in all, another fine issue.

<<• edited by Eric Reynolds •>>  We are sad to announce that this is the penultimate issue of MOME.  Highlights this time around must start off with a new Tom Kaczynski tale, "The Cozy Apocalypse."  Also notable are a full-color two-pager by Lilli Carré, a nifty-in-a-very-dark-way three-pager by Jon Adams, the highly Hankiewicz-esque cover story by Sara Edward-Corbett, along with new work by Steve Weissman, Kurt Wolfgang, Josh Simmons (2!), T. Edward Bak, Nicolas Mahler, Dash Shaw, Sergio Ponchione, Nate Neal, Nick Thorburn and Michael Jada & Derek Van Gieson.  Savor these tales.

edited by Eric Reynolds Say it isn't true!  Sadly, this is the end of the road for the most innovative and challenging regularly published English language comics anthology of the twenty-first century.  But they're going out with a bang!  MOME 22 is a wallopin' 240-page double issue that is a veritable gathering of MOME alumni (along with some notable last-minute newcomers) featuring 30 artists, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, Zak Sally, Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, Jim Rugg, Chuck Forsman, Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons, Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver.  Whew!  Get a heaping helping of PDF preview, here.

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