This issue features a trio of tales by Matt Broersma, Geneviève Elverum, and Sammy Harkham.  Each work features a distinct artistic voice and is distinguished by the artist's personal color palette.  Geneviève Elverum  contributed the cover and opening story.  Her work is rendered in a lush but limited palette of deep blues and reds (and one green) set off against large fields of white punctuated by grey and tells us of a struggle to find a place in the scheme of things.  Readers familiar with Sammy Harkham's tale, "The Poor Sailor," which originally appeared in the fourth issue of his own anthology Title, Kramers Ergot (and which was later collected by David Eggars in his Non-Required Reading series), will feel right at home in this tale of teenage confusion and angst told with his trademark detachment and rendered in a palette of pale reds.   The final piece, Matt Broersma's The Mummy is a multi-layered, self-deconstructing, post-modern pulp tale rendered in black and white and shades of green.