Whew!  This issue of MOME is a frantic roller coaster ride of graphilocity that left our mind reeling.  The journey begins with this issue's bifurcated cover, which sets the stage for the lead story:  the first part of Josh SImmons new serial, The White Rhinoceros.  We are then treated to "The Imaginist," Olivier Schrauwen's most fully realized work to date.  Next up is Gilbert Hernandez with a new tale of the one and only Roy!  Then hold onto your hats for the precipitous plunge that is the tale of "Evelyn Dalton-Hoyt."  Within this work's 21 tumultuous pages, author/artist, D.J. Bryant has penned a demonically deft deconstruction of "Driven to Destruction," a 1970s Steve Ditko story originally published in Haunted #4 published by Charlton Comics, that infers (with a little help from Ditko's sideline of bondage comics) a torturous sexual repression at the heart of Ditko's seventies sensibility.  So as not to give anyone the wrong idea,  let us be clear and state that "ED-H" is a story that is fully capable of standing on its own merits, that can (and will) be wholly appreciated without any knowledge of the work of Steve Ditko; the Ditko angle is, however, vertigo inducing to all long time fans of his work (Also, PLEASE NOTE:  THis story is now also available in D.J. Bryant's amazing collection, Unreal City).  Then we have Tim Lane's "Hitchhiker," a tale full of Lane's trademarked dark and foreboding pen and ink work, but one that takes an unexpected turn.  We then take a pastoral pass through the pastel colorings of Conor O'Keefe in "Vote Lily at the Dog Show" before being put through the twisted sensibility of Robert Goodin in "The Spiritual Crisis of Carl Jung."  MOME 19 then closes with the latest chapter in T. Edward Bak's Wild Man.  Whew, indeed.