Attention original comics art fans: Here's a massive, oversize exhibition catalogue for the show of the same name that was held at the Centre Pompidou in Paris from 19 May to 4 November 2024. It's filled with high quality, full page, full color scans of the original art from the exhibit – much of it (beautifully) hand colored. All are very sharply printed on flat, non-reflective paper stock. Excellent pieces from the comics canon – of the stated period – from Japan, North America* and Europe – with an unsurprising accent on France – make up the bulk of the volume. Interspersed throughout the pages of art reproductions is a series of brief essays, and one interview (with Joe Sacco).
*(Although, please note that there are onlyl token examples from mainstream, newsstand, American comic books, which are already much more widely available – at least here in the States – in the now ubiquitous artist editions.)
Here's the Thames & Hiudson hype-up:
Starting in the mid-1960s, comics rapidly evolved into a highly creative art form for a sophisticated readership: in France, the magazine Hara-Kiri provided new terrains for graphical humor, while the adventures of Jean-Claude Forest’s Barbarella were published in albums by Éric Losfeld; the launch in Japan of Garo in 1964, an avant-garde monthly, introduced the concept of auteur comics; and the release of Robert Crumb’s Zap Comix in 1968 established his reputation as the leader of the underground comics movement in the United States.
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