Metadoggoz looks amazing!  21st Century urban-techno-grunge of drugs dance and dogs presented in a manga-inflected mash-up of Matsumoto, Miller, Muñoz and more!  Motais de Narbonne's gritty renderings of dense urban sprawl feels a little like a black & white action/adventure version of Brecht Evens's City of Belgium.  THe 200+ pages of Metadoggoz weave a multi-thread, multi-part saga of outsiderdom.  The figurative space at the center of the narrative – but at the margins of reality – is called The Gap, and provides a refuge amidst the chaos of late-capitalism sprawl for those that are different, that can't fit in, that can't breath.  Here is home.

Here's the D & Q hype-up:

Gael Kaldera is a self-styled “junkyard dog” who runs with his crew the Metadoggoz: a squad of teenage dirtbags living in the techno-megalopolis, the Metastation. With no place to crash after losing his friend’s guitar, he drops a tab of “metadoggo” at a late night rave with his friends and everything goes sideways. Strobing lights, teeming dance floors and endless skyscrapers form an eerie, futuristic backdrop for this daring, imaginative exploration of race, class, and belonging through the lens of youth culture and science-fiction.

In Metadoggoz, Franco-Vietnamese cartoonist Bérénice Motais de Narbonne constructs an uncomfortably familiar dystopia in which Gael and his friends slip in and out of our “real” world in search of something better. Each shepherded by a guiding spirit, they navigate the indignities of daily life: homelessness, mental illness, violence, and yearning. 

Translated by Eisner Award winner Montana Kane, Metadoggoz reinvents the cyberpunk fairy tale in the vein of Tank Girl, Blade Runner and Love & Rockets.

And D & Q has provided a nice PDF excerpt for your perusal, HERE.

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