It is difficult to explain the work of Junko Mizuno to the uninitiated. Cutey, squishy, squeezy drawings delineated in dense black ink depict and portray twisted, perverse and often bizarre takes on archetypal characters and situations. The only close touchstone we can think of is the work of Vaughn Bodé. In this volume we have the second (and final?) volume of her story about the adventures of a cute and "fluffy" alien gigolo loose on the streets of an alternate, "Mizuno-reality" Tokyo in search of a baby-mama.