A veteran of street life and all that goes with it, Guy Colwell fills the pages of Inner City Romance with tales of sex and drugs that are far from what most of those who encounter them for the first time here in this volume will have experienced.  Originally appearing in the 1970s, the stories deal with LSD, heroin and hedonism, yes, but they are situated in a specific environment and the comics work to connect these behaviors to the poverty and neglect that the characters that populated them have experienced in their lives.  It is also important to note that the "inner cIty" of the title can be read to mean, or at least imply, "inter-racial."  Colwell's work is fairly unique, even today, for its bold portrayal of intimate relations people of African and European descent.  These comics work to bring the "far out", late-60s, taboo-busting work of Crumb (Angelfood McSpade, Whiteman, etc) and others down to earth. They work to engage the realist æsthetic and provide a degree of verisimiltude that was previously lacking (although these comics too are not free from prurient interest).  It is important to keep in mind when confronting the characters, situations and narratives contained in this volume that there is no avoiding the fact that as a white male artist, Colwell is carrying his own baggage of assumptions that he inevitably unpacks in this work that portrays a wide variety of relations between black and white characters of both genders.  Furthermore, his ability to have these comics published at that time is inextricably related to his social position as a white man.  Thus, due to the historical forces in operation, comics readers, even today, are only seeing the white point of view of these inter-racial scenarios.  That said, the comics that make up Inner City Romance indicate that they are not simply products of idle fantasy but are rooted in some real life experiences, and while Colwell's comics lack the power to unlock the unconscious possessed by those created by Crumb, they are also far less caricatured, and so provide their readers with a unique window on this layer of history that presently lies beneath the surface of our current social fabric.