Yes, it's another fine issue in the ongoing, regularly published comics anthology that consistently publishes some of the most original, challenging and engaiging comics on the market.  This time around the obvious highlight is the conclusion of Jim Woodring's The Lute String, which began last issue, a tale that is wonderful in conception as well as masterful in execution and amply demonstrates that Woodring's genius, but there's plenty more to get excited about:  The uniquely weird story by up-and-comer Dash Shaw that starts off this issue is his most inventive work yet and will both charm and confuse you; Robert Goodin returns with a swell comics -- as well as comic -- adaptation of a classic Indian fable; also returning is Tom Kaczynski, who is this issue's interview subject as well.  And, still with us are a core cadre of MOME regulars:  Sophie Crumb, Paul Hornschemeier, Kurt Wolfgang, as well as Tim Hensley, Jeremy Eaton, Émile Bravo and Ray Fenwick (whom everyone is jealous of for his ingenious exploitation of old canvas covered used books).  And, finally, we can't leave you without lettnig you know that the one and only John Hankiewicz makes his MOME debut in this issue.  For those of you who are already familiar with his work, this notice of his inclusion will provide you with that much more impetus to purchase this issue; but it is those MOME readers among you who are unfamiliar with Hankiewicz:  make sure to pay close attention to his contribution, "Success Comes to Westmont, IL" --  if you find yourself intrigued, but you're not sure why, you may want to take a look at his excellent collection, Asthma, published a little while back by Sparkplug Comics, it's a rare gem.