In twelve full color pages, Bill Wehmann employs line and -- crucially -- color to explore the quantum mechanics of consciousness.  Following Dash Shaw, in Howard Wehmann uses color in a extradiegetic fashion, to provide an additional, commentarial layer analagous to that of a film's musical soundtrack.  The quandary explored in these pages is that constituted by the necessity of relying on one's own natural sensory apparatus in processing perceptions and the difficulty this can entail when confronted with sensory input that conflicts with the constructs and expectations of "reality" in the person experiencing them.  In our increasingly mediated world, in which our experiences are ever more artificial, created, manufactured, assembled, programmed, computer-generated, electronically-transmitted, etc. the natural reality that the human sensory apparatus has evolved to perceive and interpret is altered and distorted in innumerable ways that inevitably confuse and disturb ages old neural pathways.  The sequence and arrangement of the visual data provided in these pages serve to communicate that Howard is just beginning to figure this out...