<<•>> edited by Alex Spiro; introduction by Paul Gravett <<•>> art by Stuart Kolakovic, Mikkel Sommers, Brecht Vandenbroucke, Luke Best, Rob Hunter, Jon McNaught, Ben Newman, Andrew Rae, Luke Pearson, Jack Teagle, Jon Boam, Jakob Hindrichs, Clayton Junior, Daniel Locke, Isabel Greenberg, Mike Bertino, Nick White, Rui Tenreiro, Sean Hudson, Luc Melanson, Katia Fouquet, Yeji Yun, Matthew Lyons & Liesbeth De Stercke <<•>> The fine folks at the London-based NoBrow Ltd. have produced their first anthology, and it's a doozy! Editor, Alex Spiro has assembled twenty-four artists and, with a nod to The Book...

It's hard to believe, but with this volume, the seventh in the new format, the repackaging of the first volume of Love and Rockets is now complete! While the first six volumes gave us the massive mythologies of Hoppers and Palomar, this issue collects all the odds 'n' ends and bric á brac that the fertile imaginations of los Bros unleashed when they were kicking back; as well as the story that started it all back in Love and Rockets #1, Gilbert Hernandez's BEM. Let us rhapsodize for a moment: It was with BEM that Gilbert Hernandez -- comics' own St. George -- slew the dragon of derivative, formulaic heroic fantasy comics that had been...

It's here: the first volume of Anders Nilsen's epic look at our collective 21st Century headspace: Tongues. Like a skilled neurosurgeon, he peels back the conscious, subconscious and unconscious layers of our civilization, taking each layer then staining them with his creative intelligence and putting them under the microscope revealing a spectacular vision of their intermingling forms of mythography, history, speculative fiction and more, all entwined within the double-helix of love and war, and lays them bare for the reader's edification and private analysis (which has put us in mind of a modern La Divina Commedia di Dante – particularly...

FINALLY! Twenty years after Connie left Will at home to get takeout and a video (yes, that's right, she left to go to the video rental store – that's how long ago it was) – the dénouement!

Keeping Two collects the entirety of the extant series along with the highly anticipated conclusion. The book itself is a beautifully designed hardcover, with rounded edges, and the 300+ pages of classic Jordan Crane artwork is crsiply printed entirely in shades of green – from so dark as to be nearly black all the way through to shades so light as to be nearly translucent, all on heavy, flat, off-white stock. A real pleasure to hold and to read.

For...

We heard only hours before starting to write up the arrival of the softcover edition of this classic work by two of the all-time greats of bande dessinee, that Moebius, perhaps the greatest of them all, had passed away. While Madwoman does not contain the type of cosmic science fiction imagery most closely associated with Moebius, it is second only to The Incal as his most important collaboration withAlejandro Jodorowsky, and it is a work that clearly demonstrates his seemingly effortless mastery of the form and that is certainly one of his most mature and sophisticated works from a narrative standpoint. On the one hand Madwoman is a...

This One Summeris a finely nuanced portrait of pubescents at the dawning of their age of sexuality that will have readers slowing down if not stopping in their tracks to pause and soak up every line of this amazing work. The Tamaki cousins enter Hernandez brothers territory here, with their deftly characterized and deeply empathic portraits of each pen & ink participant in the drama that unfolds on these pages. There are echoes, too, of Charles Burns’sBlack Hole, in the presentation of the protagonists' stumbling upon detritus strewn outdoor settings that stand as a synecdoche forinnocence’s discoveringthe mysteries of sexual...

Ronald Wimberly & Co. are back with another issue of the broadsheet newspaper art magazine, LAAB! A feast for the mind as well as the eyes, it features a host of fascinating pieces chock full of interesting insights designed to challenge our perceptions and conceptions of yesterday, today and tomorrow. This issue "concerns themes of death and environmental devastation, horror, hauntology, necropolitics, and the anthropocene. We ask what it means to die, and what it means to live -- and what might have to die for a future to be born." While this issue states that it is "#4", it is in fact the second issue, so, as long as you have the ...

Originally published in Japan in 1995, Jiro Taniguchi’sA Journal of My Father,a moving tale of a son’s memories of growing up in Tottori, a small city on the sea of Japan, has at last made it to American shores in English translation (by Kumar Sivasubramanian assisted by Chitoku Teshima). As the title suggests, the story centers on the relationship of the son – Yoichi – with his father, who, we learn at the outset, has just died. The story is divided into twelve chapters which, while there are several especially significant moments that recur, take the reader on a chronological journey from Yoichi's earliest memories up to the present....

And what better to follow the latest Kevin H. with than the latest by his longtime associate and fellow St. Louisan, Dan. Z., whose long promised graphic novel debut has at last arrived! Birdseye Bristoe is 72 full color pages of pure Zettwoch: set in a fictional (but perhaps even more authentic for being so) midwestern locale somewhere between St. Louis and Louisville, and filled with cut-away drawings, explanatory diagrams, maps and, of course, page after page of fun-filled comics filled with down home midwestern characters of all ages and stripes, it tells a story of industrial development and technological change that for all it's...

WOW!It's clear that Simon Hanselmann is intent on taking it to the next level, and withBad Gateway, hehas. It is a real beauty of a book, hisfirst in the larger, A4 (roughly, magazine) size.Prepare yourself for a sumptuous package, expertly designed by Mr. Hanselmann himself, with assists from Keeli McCarthy and production by the ever able PaulBaresh. Simon shows off his art (and arthistory) chops in theevocativecovers and series of endpapers and double page spreads, all fully painted. Once you get to the story itself, its page after page ofa relentless, unforgiving 12-panelgrid depictingnon-stop desperation andmayhem. Here, in Bad Gateway...